"Bullshit. I do need you. It
The inflated smile was gone now, supplanted by something like panic and dying pride. He didn't want to be too sharp with her, afraid she might go off flying around his driveway like a stuck balloon. "No, I can't."
"Can you ignore the fact that you owe me?"
"Owe you?" It took him only a second. "The scholarship."
"
"Val."
"But who wound up wasting it? Who was the one who squandered that opportunity—for the town, and yes, for himself? Only to bounce back here fifteen years later with
"It was one-tenth of a percentage point, Val."
"You don't understand. You should
Maddox thought of Ripsbaugh, what he had said about her needing a stone for her chain. "I'm sorry, Val. I am. But I don't think I'm responsible for whatever—"
"Is this about the farm girl?"
"What did you say?"
"You heard me." Her face was twisted now, as though a mask had been snatched away but the adhesive still stung. "I came by here last night, or tried to. Saw a truck leave your garage. Saw
"Have you been watching me?"
"Are you going away with
"Val." The anger in her face chilled him. "Jesus."
She shoved hair off her face so that he would have an unfettered view of her contempt. "You owe me, Donny Maddox. You
Maddox felt heat coming up his neck. How quickly compassion can turn to enmity when someone forces her mania on you. When someone assigns you responsibility for her own frustrations. This came to him in his driveway like a lesson.
Val said, "You could live with yourself? Leaving me here? The same way you left your mother?"
He nodded, not in answer to her question, but in acknowledgment of her audacity in throwing down the kicker: the Queen of Spades with his mother's face on it. "That's the way to hurt me, all right."
"Hurt you?
"Go home, Val."
"And talk to my husband, right?
"I'm sure no one knows you."
"That's
She looked at him with the pity of a madwoman, throwing open her car door and driving away.
PART V
AN INSTRUMENT OF VENGEANCE
56
MADDOX
NEXT MORNING, WHILE waiting for his toast to come up, Maddox heard a thump. A goodly weighted noise, followed by a lesser bump, coming from the rear of his house. An unnatural thump.
The mind takes unexpecteds such as these and tries to shape them into something understandable, tries to assign them meaning.
The mental image Maddox assigned to this noise was that of Dillon Sinclair stepping onto his back deck.
So powerful was the force of this image—the black wig and clothes, the eyebrowless eyes—that Maddox moved to his closet, getting down his holster from the top shelf. He undid the trigger lock in what seemed to take an inordinate amount of time, then moved to the sliding glass door off the serving area.
He stepped out into the wet heat, his revolver at his side. No one on the deck, the backyard empty. He scanned the trees around the yard and listened for movement. Then he saw the twisted black lump on the deck.
Closer, he made out the velvet fringe of wings. A dead crow, eyes and beak still open, its neck broken.
Maddox looked at the near trees, his mind still jumping with implications—
You want omens? he thought. We got omens. A town full of them. Deer running antler-first into your car. Crows flying full speed at your house. Nature dispatching its assassins.