The Last of the Winnebagos

I went and got the Nikon and pulled the film out of it. It was too late to do anything about the eisenstadt pictures or the vidcam footage, but I didn’t think there was anything in them. Jake had already washed the bumper by the time I’d taken those pictures.

I fed the longshot film into the developer. “Positives, one two three order, fifteen seconds,” I said, and waited for the image to come on the screen.

I wondered who had been driving. Jake, probably. “He never liked Taco,” she had said, and there was no mistaking the bitterness in her voice. “I didn’t want to buy the Winnebago.”

They would both lose their licenses, no matter who was driving, and the Society would confiscate the Winnebago. They would probably not send two octogenarian specimens of Americana like the Amblers to prison. They wouldn’t have to. The trial would take six months, and Texas already had legislation in committee.

The first picture came up. A light-setting shot of an ocotillo.

Even if they got off, even if they didn’t end up taking away the Winnebago for unauthorized use of a tanker lane or failure to purchase a sales tax permit, the Amblers had six months left at the outside. Utah was all ready to pass a full-divided bill, and Arizona would be next. In spite of the road crews’ stew-slowed pace, Phoenix would be all-divided by the time the investigation was over, and they’d be completely boxed in. Permanent residents of the zoo. Like the coyote.

A shot of the zoo sign, half-hidden in the cactus. A close-up of the Amblers’ balloon-trailing sign. The Winnebago in the parking lot.

“Hold,” I said. “Crop.” I indicated the areas with my finger. “Enlarge to full screen.”

The longshot takes great pictures, sharp contrast, excellent detail. The developer only had a five hundred thousand-pixel screen, but the dark smear on the bumper was easy to see, and the developed picture would be much clearer. You’d be able to see every splatter, every grayish-yellow hair. The Society’s computers would probably be able to type the blood from it.

“Continue,” I said, and the next picture came on the screen. Artsy shot of the Winnebago and the zoo entrance. Jake washing the bumper. Red-handed.

Maybe Hunter had bought my story, but he didn’t have any other suspects, and how long would it be before he decided to ask Katie a few more questions? If he thought it was the Amblers, he’d leave her alone.

The Japanese family clustered around the waste-disposal tank. Closeup of the decals on the side. Interiors—Mrs. Ambler in the gallery, the upright-coffin shower stall, Mrs. Ambler making coffee.

No wonder she had looked that way in the eisenstadt shot, her face full of memory and grief and loss. Maybe in the instant before they hit it, it had looked like a dog to her, too.

All I had to do was tell Hunter about the Amblers, and Katie was off the hook. It should be easy. I had done it before.

“Stop,” I said to a shot of the salt-and-pepper collection. The black and white scottie dogs had painted, red-plaid bows and red tongues. “Expose,” I said. “One through twenty-four.”

The screen went to question marks and started beeping. I should have known better. The developer could handle a lot of orders, but asking it to expose perfectly good film went against its whole memory, and I didn’t have time to give it the step-by-steps that would convince it I meant what I said.

“Eject,” I said. The scotties blinked out. The developer spat out the film, rerolled into its protective case.

The doorbell rang. I switched on the overhead and pulled the film out to full length and held it directly under the light. I had told Hunter an RV hit Aberfan, and he had said on the way out, almost an afterthought, “That first shoot you went to, what was it?” And after he left, what had he done, gone out to check on the sideshow kind of thing, gotten Mrs. Ambler to spill her guts? There hadn’t been time to do that and get back.

He must have called Ramirez. I was glad I had locked the door.

I turned off the overhead. I rerolled the film, fed it back into the developer, and gave it a direction it could handle. “Permanganate bath, full strength, one through twenty-four. Remove one hundred percent emulsion. No notify.”

The screen went dark. It would take the developer at least fifteen minutes to run the film through the bleach bath, and the Society’s computers could probably enhance a picture out of two crystals of silver and thin air, but at least the detail wouldn’t be there. I unlocked the door.

It was Katie.

She held up the eisenstadt. “You forgot your briefcase,” she said.

I stared blankly at it. I hadn’t even realized I didn’t have it. I must have left it on the kitchen table when I went tearing out, running down little girls and stewed roadworkers in my rush to keep Katie from getting involved. And here she was, and Hunter would be back any minute, saying, “That shoot you went on this morning, did you take any pictures?”

“It isn’t a briefcase,” I said.