The Last of the Winnebagos

“She didn’t know she was having her picture taken. I thought if I got you talking about Aberfan, I could get a picture like that of you.”

And surely now I would see it, the look I had really wanted when I set the eisenstadt down on Katie’s kitchen table, the look I still wanted, even though the eisenstadt was facing the wrong way, the look of betrayal the dogs had never given us. Not even Misha. Not even Aberfan. How does it feel to be responsible for the extinction of an entire species?

I pointed at the eisenstadt. “It’s not a briefcase. It’s a camera. I was going to take your picture without your even knowing it.”

She had never known Aberfan. She had never known Mrs. Ambler either, but in that instant before she started to cry she looked like both of them. She put her hand up to her mouth. “Oh,” she said, and the love, the loss was there in her voice, too. “If you’d had it then, it wouldn’t have happened.”

I looked at the eisenstadt. If I had had it, I could have set it on the porch and Aberfan would never have even noticed it. He would have burrowed through the snow and tossed it up with his nose, and I could have thrown snow up in big glittering sprays that he would have leaped at, and it never would have happened. Katie Powell would have driven past, and I would have stopped to wave at her, and she, sixteen years old and just learning to drive, would maybe even have risked taking a mittened hand off the steering wheel to wave back, and Aberfan would have wagged his tail into a buzzard and then barked at the snow he’d churned up.

He wouldn’t have caught the third wave. He would have lived to be an old dog, fourteen or fifteen, too old to play in the snow anymore, and even if he had been the last dog in the world I would not have let them lock him up in a cage, I would not have let them take him away. If I had had the eisenstadt. No wonder I hated it.

It had been at least fifteen minutes since Ramirez called. The Society would be here any minute. “You shouldn’t be here when the Society comes,” I said, and Katie nodded and smudged the tears off her cheeks and stood up, reaching for her carryit.

“Do you ever take pictures?” she said, shouldering the carryit. “I mean, besides for the papers?”

“I don’t know if I’ll be taking pictures for them much longer. Photojournalists are becoming an extinct breed.”

“Maybe you could come take some pictures of Jana and Kevin. Kids grow up so fast, they’re gone before you know it.”

“I’d like that,” I said. I opened the screen door for her and looked both ways down the street at the darkness. “All clear,” I said, and she went out. I shut the screen door between us.

She turned and looked at me one last time with her dear, open face that even I hadn’t been able to close. “I miss them,” she said.

I put my hand up to the screen. “I miss them, too.”

I watched her to make sure she turned the corner and then went back in the living room and took down the picture of Misha. I propped it against the developer so Segura would be able to see it from the door. In a month or so, when the Amblers were safely in Texas and the Society had forgotten about Katie, I’d call Segura and tell him I might be willing to sell it to the Society, and then in a day or so I’d tell him I’d changed my mind. When he came out to try to talk me into it, I’d tell him about Perdita and Beatrix Potter, and he would tell me about the Society.

Chiwere and Ramirez would have to take the credit for the story—I didn’t want Hunter putting anything else together—and it would take more than one story to break them, but it was a start.

Katie had left the print of Mrs. Ambler on the couch. I picked it up and looked at it a minute and then fed it into the developer. “Recycle,” I said.

I picked up the eisenstadt from the table by the couch and took the film cartridge out. I started to pull the film out to expose it, and then shoved it into the developer instead and turned it on. “Positives, one two three order, five seconds.”

I had apparently set the camera on its activator again— there were ten shots or so of the back seat of the Hitori. Vehicles and people. The pictures of Katie were all in shadow. There was a Still Life of Kool-Aid Pitcher with Whale Glass and another one of Jana’s toy cars, and some near-black frames that meant Katie had laid the eisenstadt face-down when she brought it to me.

’Two seconds,” I said, and waited for the developer to flash the last shots so I could make sure there wasn’t anything else on the cartridge and then expose it before the Society got here. All but the last frame was of the darkness that was all the eisenstadt could see lying on its face. The last one was of me.

The trick in getting good pictures is to make people forget they’re being photographed. Distract them. Get them talking about something they care about.

“Stop,” I said, and the image froze.

Aberfan was a great dog. He loved to play in the snow, and after I had murdered him, he lifted his head off my lap and tried to lick my hand.