Читаем The Living Dead полностью

When she worked up nerve enough to ask Jack what his favorite soup was, he had said: "Chicken noodle. Kind that comes in the can."

Were there any others he specially liked?

The answer was no, just chicken noodle—the kind that came in the can. That was all the soup Jack Pace needed in his life, and all the answer (on that particular subject, at least) that Maddie needed in hers. Light of step and cheerful of heart, Maddie climbed the warped wooden steps of the store the next day and bought the four cans of chicken noodle soup that were on the shelf. When she asked Bob Nedeau if he had any more, he said he had a whole damn case of the stuff out back.

She bought the entire case and left him so flabbergasted that he actually carried the carton out to the truck for her and forgot all about asking why she wanted so much—a lapse for which his long-nosed wife and daughter took him sharply to task that evening.

"You just better believe it and never forget," Jack had said that time not long before they tied the knot (she had believed it, and had never forgotten). "More than a lobsterman. My dad says I'm full of shit. He says if draggin pots was good enough for his old man, and his old man's old man and all the way back to the friggin Garden of Eden to hear him tell it, it ought to be good enough for me. But it ain't—isn't, I mean—and I'm going to do better." His eye fell on her, and it was a stern eye, full of resolve, but it was a loving eye, full of hope and confidence, too. "More than a lobsterman is what I mean to be, and more than a lobsterman's wife is what I intend for you to be. You're going to have a house on the mainland."

"Yes, Jack."

"And I'm not going to have any friggin Chevrolet." He drew in a deep breath and took her hands in his. "I'm going to have an Oldsmobile."

He looked her dead in the eye, as if daring her to scoff at this wildly upscale ambition. She did no such thing, of course; she said yes, Jack, for the third or fourth time that evening. She had said it to him thousands of times over the year they had spent courting, and she confidently expected to say it a million times before death ended their marriage by taking one of them—or, better, both of them together. Yes, Jack; had there ever in the history of the world been two words which made such beautiful music when laid side by side?

"More than a friggin lobsterman, no matter what my old man thinks or how much he laughs." He pronounced this last word in the deeply downeast way: loffs. "I'm going to do it, and do you know who's going to help me?"

"Yes," Maddie had responded calmly. "I am."

He had laughed and swept her into his arms. "You're damned tooting, my little sweetheart," he'd told her.

And so they were wed, as the fairytales usually put it, and for Maddie those first few months—months when they were greeted almost everywhere with jovial cries of "Here's the newlyweds!"—were a fairytale. She had Jack to lean on, Jack to help her make decisions, and that was the best of it. The most difficult household choice thrust upon her that first year was which curtains would look best in the living room—there were so many in the catalogue to choose from, and her mother was certainly no help. Maddie's mother had a hard time deciding between different brands of toilet paper.

Otherwise, that year consisted mostly of joy and security—the joy of loving Jack in their deep bed while the winter wind scraped over the island like the blade of a knife across a breadboard, the security of having Jack to tell her what it was they wanted, and how they were going to get it. The loving was good—so good that sometimes when she thought of him during the days her knees would feel weak and her stomach fluttery—but his way of knowing things and her growing trust in his instincts were even better. So for awhile it was a fairytale, yes.

Then Jack died and things started getting weird. Not just for Maddie, either.

For everybody.


Just before the world slid into its incomprehensible nightmare, Maddie discovered she was what her mother had always called "preg," a curt word that was like the sound you made when you had to rasp up a throatful of snot (that, at least, was how it had always sounded to Maddie). By then she and Jack had moved next to the Pulsifers on Gennesault Island, which was known simply as Jenny by its residents and those of nearby Little Tall.

She'd had one of her agonizing interior debates when she missed her second period, and after four sleepless nights she made an appointment with Dr. McElwain on the mainland. Looking back, she was glad. If she'd waited to see if she was going to miss a third period, Jack would not have had even one month of joy and she would have missed the concerns and little kindnesses he had showered upon her.

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1. Никогда никому не доверять.2. Помнить, что они всегда ищут.3. Не ввязываться.4. Не высовываться.5. Не влюбляться.Пять простых правил. Ариана Такер следовала им с той ночи, когда сбежала из лаборатории генетики, где была создана, в результате объединения человека и внеземного ДНК. Спасение Арианы — и ее приемного отца — зависит от ее способности вписаться в среду обычных людей в маленьком городке штата Висконсин, скрываясь в школе от тех, кто стремится вернуть потерянный (и дорогой) «проект». Но когда жестокий розыгрыш в школе идет наперекосяк, на ее пути встает Зейн Брэдшоу, сын начальника полиции и тот, кто знает слишком много. Тот, кто действительно видит ее. В течении нескольких лет она пыталась быть невидимой, но теперь у Арианы столько внимания, которое является пугающим и совершенно опьяняющим. Внезапно, больше не все так просто, особенно без правил…

Анна Альфредовна Старобинец , Константин Алексеевич Рогов , Константин Рогов , Стэйси Кейд

Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы