Instead, like Lewis beside me, I just stared across the street at the polling place. Dead people had gathered there, fifteen or twenty of them, and more arriving. Even then, there was never any question in my mind that they were dead. You could see it in the way they held their bodies, stiff as marionettes; in their shuffling gaits and the bright haunted glaze of their eyes. You could see it in the lacerations yawning open on the ropy coils of their guts, in their random nakedness, their haphazard clothes—hospital gowns and blood-stained blue jeans and immaculate suits fresh from unsealed caskets. You could see it in the dark patches of decay that blossomed on their flesh. You could just see that they were dead. It was every zombie movie you ever saw, and then some.
Gooseflesh erupted along my arms, and it had nothing to do with the wind off Lake Michigan.
"My God," I said again, when I finally managed to unlock my brain. "What do they want?"
"They want to vote," said Lewis.
I'll say.
The dead had voted, all right, and not just in Chicago. They had risen from hospital gurneys and autopsy slabs, from open coffins and embalming tables in every precinct in the nation, and they had cast their ballots largely without interference. Who was going to stop them? More than half the poll-workers had abandoned ship when the zombies started shambling through the doors, and even workers who stayed at their posts had usually permitted them to do as they pleased. The dead didn't threaten anyone—they didn't do much of anything you'd expect zombies to do, in fact. But most people found that inscrutable gaze unnerving. Better to let them cast their ballots than bear for long the knowing light in those strange eyes.
And when the ballots were counted, we learned something else as well: They voted for Burton. Every last one of them voted for Burton.
"It's your fault," Lewis said at breakfast the next day.
Everyone else agreed with him, I could tell, the entire senior staff, harried and sleep-deprived. They studied their food as he ranted, or scrutinized the conference table or scribbled frantic notes in their day-planners. Anything to avoid looking me in the eye. Even Burton, alone at the head of the table, just munched on a bagel and stared at CNN, the muted screen aflicker with footage of zombies staggering along on their unfathomable errands. Toward dawn, as the final tallies rolled in from the western districts, they had started to gravitate toward cemeteries. No one yet knew why.
"
"The goddamn talk show," Lewis said, as if that explained everything.
And maybe it did.
The goddamn talk show in question was none other than
Thou shalt not speak from the heart.
The occasion of this amateurish mistake was a six-year-old girl named Dana Maguire. Three days before I went on the air, a five-year-old boy gunned Dana down in her after-school program. The kid had found the pistol in his father's nightstand, and just as Dana's mother was coming in to pick her up, he tugged it from his insulated lunch sack and shot Dana in the neck. She died in her mother's arms while the five-year-old looked on in tears.
Just your typical day in America, except the first time I saw Dana's photo in the news, I felt something kick a hole in my chest. I can remember the moment to this day: October light slanting through hotel windows, the television on low while I talked to my grandmother in California. I don't have much in the way of family. There had been an uncle on my father's side, but he had drifted out of my life after my folks died, leaving my mother's parents to raise me. There's just the two of us since my grandfather passed on five years ago, and even in the heat of a campaign, I try to check on Gran every day. Mostly she rattles on about old folks in the home, a litany of names and ailments I can barely keep straight at the best of times. And that afternoon, half-watching some glib CNN hardbody do a stand-up in front of Little Tykes Academy, I lost the thread of her words altogether.