The Living Dead

The man reached for his wallet. He looked puzzled. He put his hands in his pockets. He said, "My wallet." He came back to my car, opened the passenger-side door and leaned back inside. I turned on the light. He patted the empty seat. "My wallet," he said again. His voice was plaintive and hurt.

"You had it back in the motel," I reminded him. "You were holding it. It was in your hand."

He said, "God damn it. God fucking damn it to hell."

"Everything okay there?" called the tow-truck driver.

"Okay," said the anthropologist to me, urgently. "This is what we'll do. You drive back to the motel. I must have left the wallet on the desk. Bring it back here. I'll keep him happy until then. Five minutes, it'll take you five minutes." He must have seen the expression on my face. He said, "Remember. People come into your life for a reason."

I shrugged, irritated to have been sucked into someone else's story.

Then he shut the car door and gave me a thumbs-up.

I wished I could just have driven away and abandoned him, but it was too late, I was driving to the hotel. The night clerk gave me the wallet, which he had noticed on the counter, he told me, moments after we left.

I opened the wallet. The credit cards were all in the name of Jackson Anderton.

It took me half an hour to find my way back, as the sky grayed into full dawn. The tow truck was gone. The rear window of the red Honda Accord was broken, and the driver's-side door hung open. I wondered if it was a different car, if I had driven the wrong way to the wrong place; but there were the tow-truck driver's cigarette stubs, crushed on the road, and in the ditch nearby I found a gaping briefcase, empty, and beside it, a manila folder containing a fifteen-page typescript, a prepaid hotel reservation at a Marriott in New Orleans in the name of Jackson Anderton, and a packet of three condoms, ribbed for extra pleasure.

On the title page of the typescript was printed:

This was the way Zombies are spoken of: They are the bodies without souls. The living dead. Once they were dead, and after that they were called back to life again.

Hurston, Tell My Horse

I took the manila folder, but left the briefcase where it was. I drove south under a pearl-colored sky.

People come into your life for a reason. Right.

I could not find a radio station that would hold its signal. Eventually I pressed the scan button on the radio and just left it on, left it scanning from channel to channel in a relentless quest for signal, scurrying from gospel to oldies to Bible talk to sex talk to country, three seconds a station with plenty of white noise in between.

 . . .Lazarus, who was dead, you make no mistake about that, he was dead, and Jesus brought him back to show us—I say to show us . . .

 . . .what I call a Chinese dragon. Can I say this on the air? Just as you, y'know, get your rocks off, you whomp her round the backatha head, it all spurts outta her nose. I damn near laugh my ass off . . .

 . . .If you come home tonight I'll be waiting in the darkness for my woman with my bottle and my gun . . .

 . . .When Jesus says will you be there, will you be there? No man knows the day or the hour, so will you be there . . .

 . . .president unveiled an initiative today . . .

 . . . fresh-brewed in the morning. For you, for me. For every day. Because every day is freshly ground . . .

Over and over. It washed over me, driving through the day, on the back roads. Just driving and driving.

They become more personable as you head south, the people. You sit in a diner, and along with your coffee and your food, they bring you comments, questions, smiles, and nods.

It was evening, and I was eating fried chicken and collard greens and hush puppies, and a waitress smiled at me. The food seemed tasteless, but I guessed that might have been my problem, not theirs.

I nodded at her politely, which she took as an invitation to come over and refill my coffee cup. The coffee was bitter, which I liked. At least it tasted of something.