The popularity of zombies comes from the fact that the vampire that we all loved got lost, says "The Age of Sorrow" (pg. 343) author Nancy Kilpatrick. "A lot of us miss the old resuscitated corpse, the ugly vampire, the mindless one that can't be reasoned with," she says. "I think zombies were there already and evolved from the Haitian Voodoo zombie to the Romero zombie that evolved further over the course of his film series so that the cause of zombification became different and rather than being bland slaves, they turned into full-blown predators, en masse. Most of us miss the predatory vampire. Zombies I think have ascended in popularity because they not only fill that archetypal void, but they also reflect society's fear of something overtaking us, making us less-than-human, or the victim of that less-than-human. It's especially traumatizing when less-than-human is family, friends and neighbors, but hey, strangers, in numbers, will do it for most of us—I think there's an inherent fear of mindless mobs in all of us. It's the hordes that swarm over you. Add to that our unconscious horror of our rampant consumption in the first world and it's like a hundred-thousand inhuman Pac-Men, eating everything in sight. There's not much in the horror field that terrifies me, but zombies do. Their driven, single-minded quality is both terrifying and awe-inspiring. I think it's what all sane people fear, being confronted by something/someone that has your destruction at heart and which/who can't be stopped."
And now a note about the stories that are in this book and the ones that aren't.
In the process of assembling this anthology, I read more zombie stories than you could possibly imagine, and I found more good ones than could possibly fit in one volume, even a mammoth tome like this one. So, in order to help narrow down my selections, I created a few loose guidelines for myself.
First, I wanted to avoid taking too many stories from any one source.
Second, I wanted to avoid taking too many stories from other zombie anthologies. I discovered a lot of great zombie fiction elsewhere and thought that this book would be more valuable to zombie fans if it were to collect that material. Many hardcore zombie aficionados will have already read John Skipp and Craig Spector's zombie anthologies (
Third, I deliberately didn't always choose the "obvious" story from an author. (Assuming, of course, that the stories I included instead were just as good.) For instance, I didn't reprint Joe R. Lansdale's "On the Far Side of the Cadillac Desert with Dead Folks" or David J. Schow's "Jerry's Kids Meet Wormboy" because they each have written other great zombie stories as well, and I figured if you've read one story by either of them, it would have been that one.
Fourth, I didn't want to use anything that felt like an excerpt of a larger work, so, for example, that meant omitting anything from Max Brooks's excellent zombie novel
And finally, I wanted the anthology to include a wide range of zombie fiction, incorporating all types of zombies, from the Romero-style zombie to the techno-zombie and everything in between. So herein you will find the dead mysteriously returned to life hungering for human flesh, corpses reanimated by necromancers, corpses reanimated by technology and/or science, voodoo zombies, revenants, and other, less easily categorized zombies.
But getting back to the appeal of zombies . . . So what about it? Why do
Some Zombie Contingency Plans