Читаем The Living Dead полностью

As the man (or what was once a man; I have no true word for him, as our terminology has not yet advanced as much as our species; "zombie" seems so fraught with baggage) struggled impotently and snapped at flesh that was out of reach, Marilyn thought that she heard her husband call her name. Buried in his grunts, or so she thought, were sounds she knew so well, murmurs, endearments, the echoes of living words past, and so she stepped closer, stunned to find herself in such a bizarre situation. She had heard from the small TV bolted to one corner of the ceiling that they listened to as she waited for him to wake, that scenes like this were playing themselves out all across the country. Across the world. (Well, not in every corner of the world, as we have already discussed. Somewhere, there will always be that man, happily oblivious, and that stick.) But she never expected to have someone she knew drawn into such a predicament, and especially not herself. Death is what happened to other people. Careless people.

She tilted her head and closed her eyes to listen more intently, and something she heard made her certain. She swore that she could make out her name. And so she moved even closer to him, erasing that final space between them, and let his teeth rip into her flesh, so that she, too, could join him in the only afterlife that people from then on would ever know.

No, that's not right. No one likes reading about people who voluntarily turn themselves into victims. We want to see people who take action, who make choices, who triumph over adversity instead of surrendering to it. So. How about this . . .

I once knew a woman who hated her husband so much that she could not bear to let him go. He was rich, and so tried his best to pay Catherine to leave, but he could never seem to name her price, as she had no price. (Something he found hard to believe, since as I said, he was rich.) And so he turned instead to trying to simply leave her, but none of his escape plans worked. She kept reeling him back in, with the orchestrated disapproval of their friends, the withholding of time with his children, or, at its most drastic, with threats of libels plausible enough that she knew they would stick. Many were the times he flew to the opposite coast in the morning only to be persuaded to return in the evening. She stayed on the grounds of their estate and made sure that he stayed there with her.

Once the zombies came (because, yes, I give up, what else am I supposed to call them?), her job became that much easier. He no longer wanted to travel into the city (which had quickly descended into chaos), and so did his job from his home office, ordering about with phone calls, e-mails and faxes others who did not have the luxury of his monied sort of refuge. As he worked, he would keep an eye on the perimeter of their estate via security cameras, making sure that the outside world did not invade. Catherine had her own security cameras, ones her husband did not know about, and she would check on him often during the day to make sure he had not fled.

This went on until the weight of the outside world and the weight of her husband's inner world grew so great that he could take it no longer. One day, she came upon him slumped in the bath in a room devoid of both his cameras and hers. The water was tinged with red, the cuts on his wrists were lengthwise. In that moment, as he hesitated between life and new life, she hugged him and wrenched him from the water. Not caring that he was covering her with both suds and blood, she dragged him to their safe room. It had been installed to protect them from those who would take their wealth and their lives by force, and now it would protect her from the invisible force that would dare to take her husband.

She knew what was going to happen next, and so she moved quickly.

She set him folded on the far side of the safe room, his legs stretched out on the floor, his back against one of the reinforced walls. She did not know why she took such care as she laid him there. She could have tossed him the length of the room and not caused him any damage. What was to come would come regardless.

She retreated outside, watching him, waiting for him to reanimate. When she saw her husband begin to twitch, she slammed shut the door to the safe room and locked it. She was glad that her husband was back, little caring in what state he was back.

She sat on the king-sized bed, and listened to him slam against the walls of his prison. He would try to break free, continuously, never tiring, and so at last, she would know forever where he was.

That was a bit closer, perhaps, but still . . .

No, that one wasn't right, either. So far, with each of these stories, I'm making it all sound too pat.

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1. Никогда никому не доверять.2. Помнить, что они всегда ищут.3. Не ввязываться.4. Не высовываться.5. Не влюбляться.Пять простых правил. Ариана Такер следовала им с той ночи, когда сбежала из лаборатории генетики, где была создана, в результате объединения человека и внеземного ДНК. Спасение Арианы — и ее приемного отца — зависит от ее способности вписаться в среду обычных людей в маленьком городке штата Висконсин, скрываясь в школе от тех, кто стремится вернуть потерянный (и дорогой) «проект». Но когда жестокий розыгрыш в школе идет наперекосяк, на ее пути встает Зейн Брэдшоу, сын начальника полиции и тот, кто знает слишком много. Тот, кто действительно видит ее. В течении нескольких лет она пыталась быть невидимой, но теперь у Арианы столько внимания, которое является пугающим и совершенно опьяняющим. Внезапно, больше не все так просто, особенно без правил…

Анна Альфредовна Старобинец , Константин Алексеевич Рогов , Константин Рогов , Стэйси Кейд

Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы