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Darrell Schweitzer is the author of the novels The Shattered Goddess and The Mask of the Sorcerer, as well as numerous short stories, which have been collected in Transients, Nightscapes, Refugees from an Imaginary Country, and Necromancies and Netherworlds. Well-known as an editor and critic, he co-edited the magazine Weird Tales for several years, and is currently co-editing anthologies with Martin H. Greenberg for DAW Books, such as The Secret History of Vampires.



Schweitzer says one of the inspirations for "The Dead Kid" was the true story of the "Boy in the Box," whose corpse was found in a woods in northeast Philadelphia in 1957. The case remains unsolved, and there are police detectives who have obsessed over it throughout their entire careers and into their retirement. "They don't even know his name," Schweitzer says. "He is a complete mystery."



Schweitzer joked that given the mystery surrounding this case, the zombie tale he imagined is as good an explanation as any. Turns out that an informant—who is deeply unreliable—said that the boy's name was Jonathan . . . just like in this story.



So perhaps he has the real answer after all.



I

It's been a lot of years, but I think I'm still afraid of Luke Bradley, because of what he showed me.

I knew him in the first grade, and he was a tough guy even then, the sort of kid who would sit on a tack and insist it didn't hurt, and then make you sit on the same tack (which definitely did hurt) because you were afraid of what he'd do if you didn't. Once he found a bald-faced hornet nest on tree branch, broke it off, and ran yelling down the street, waving the branch around and around until finally the nest fell off and the hornets came out like a cloud. Nobody knew what happened after that because the rest of us had run away.

We didn't see Luke in school for a couple days afterwards, so I suppose he got stung rather badly. When he did show up he was his old self and beat up three other boys in one afternoon. Two of them needed stitches.

When I was about eight, the word went around the neighborhood that Luke Bradley had been eaten by a werewolf. "Come on," said Tommy Hitchens, Luke's current sidekick. "I'll show you what's left of him. Up in a tree."

I didn't believe any werewolf would have been a match for Luke Bradley, but I went. When Tommy pointed out the alleged remains of the corpse up in the tree, I could tell even from a distance that I was looking at a t-shirt and a pair of blue-jeans stuffed with newspapers.

I said so and Tommy flattened me with a deft right hook, which broke my nose, and my glasses.

The next day, Luke was in school as usual, though I had a splint on my nose. When he saw me, he called me a "pussy" and kicked me in the balls.

Already he was huge, probably a couple of years older than the rest of the class. Though he never admitted it, everybody knew he'd been held back in every grade at least once, even kindergarten.

But he wasn't stupid. He was crazy. That was the fascination of hanging out with him, even if you could get hurt in his company. He did wild things that no one else dared even think about. There was the stunt with the hornet nest, or the time he picked up fresh dogshit in both his bare hands and claimed he was going to eat it right in front of us before everybody got grossed out and ran because we were afraid he was going to make us eat it. Maybe he really did. He was just someone for whom the rules, all the rules, simply did not apply. That he was usually in detention, and had been picked up by the police several times only added to his mystique.

And in the summer when I was twelve, Luke Bradley showed me the dead kid.

Things had progressed quite a bit since then. No one quite believed all the stories of Luke's exploits, though he would beat the crap out of you if you questioned them to his face. Had he really stolen a car? Did he really hang onto the outside of a P&W light-rail train and ride all the way into Philadelphia without getting caught?

Nobody knew, but when he said to me and to my ten-year-old brother Albert, "Hey you two scuzzes"—scuzz being his favorite word of the moment—"there's a dead kid in Cabbage Creek Woods. Wanna see?" it wasn't really a question.

Albert tried to turn away, and said, "David, I don't think we should," but I knew what was good for us.

"Yeah," I said. "Sure we want to see."

Luke was already more than a head taller than either of us and fifty pounds heavier. He was cultivating the "hood" image from some hand-me-down memory of James Dean or Elvis, with his hair up in a greasy swirl and a black leather jacket worn even on hot days when he kept his shirt unbuttoned so he could show off that he already had chest hair.

A cigarette dangled from his lips. He blew smoke in my face. I strained not to cough.

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1. Никогда никому не доверять.2. Помнить, что они всегда ищут.3. Не ввязываться.4. Не высовываться.5. Не влюбляться.Пять простых правил. Ариана Такер следовала им с той ночи, когда сбежала из лаборатории генетики, где была создана, в результате объединения человека и внеземного ДНК. Спасение Арианы — и ее приемного отца — зависит от ее способности вписаться в среду обычных людей в маленьком городке штата Висконсин, скрываясь в школе от тех, кто стремится вернуть потерянный (и дорогой) «проект». Но когда жестокий розыгрыш в школе идет наперекосяк, на ее пути встает Зейн Брэдшоу, сын начальника полиции и тот, кто знает слишком много. Тот, кто действительно видит ее. В течении нескольких лет она пыталась быть невидимой, но теперь у Арианы столько внимания, которое является пугающим и совершенно опьяняющим. Внезапно, больше не все так просто, особенно без правил…

Анна Альфредовна Старобинец , Константин Алексеевич Рогов , Константин Рогов , Стэйси Кейд

Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы