Читаем The Living Dead полностью

I hurried after him. Now it was Albert (who had better sense) who hung back. I caught hold of the dead kid's arm, as if to stop him, and I felt possessive for a moment, as if I owned him the way Luke Bradley had owned him.

"Hey dead kid," I said. "Where are you going?"

He turned to me, and by some trick of the moonlight he seemed to have a face, pale, round, with dark eyes; and he said to me in that bleating, croaking voice of his, actually forming words for once, "My name is Jonathan."

That was the only thing he ever said to me. He never talked to me in dreams.

He went to the front of the house. The door opened. The light within seemed to swallow him. He turned back, briefly, and looked at us. I don't think he was just a bundle of sticks anymore.

Then he was gone and all the lights blinked out, and it was dawn. My brother and I stood before a ruined mansion in the morning twilight. Birds were singing raucously.

"We'd better get home," Albert said, "or we'll get in trouble."

"Yeah," I said.


V

That autumn, I began junior high school. Because I hadn't been very successful as a bad boy, and my grades were still a lot higher, I wasn't in any of Luke Bradley's classes. But he caught up with me in the locker room after school, several weeks into the term. All he said was, "I know what you did," and beat me so badly that he broke several of my ribs and one arm, and smashed in the whole side of my face, and cracked the socket around my right eye. He stuffed me into a locker and left me there to die, and I spent the whole night in the darkness, in great pain, amid horrible smells, calling out for the dead kid to come and save me as I'd saved him. I made bleating, clicking sounds.

But he didn't come. The janitor found me in the morning. The smell was merely that I'd crapped in my pants.

I spent several weeks in the hospital, and afterwards Stepdad Steve and Mom decided to move out of the state. They put both me and Albert in a prep school.

It was only after I got out of college that I went back to Radnor Township in Pennsylvania, where I'd grown up. Everything was changed. There was a Sears headquarters where the golf course used to be. Our old house had vanished beneath an apartment parking lot. Most of Cabbage Creek Woods had been cut down to make room for an Altman's department store, and the Grant Estate was gone too, to make room for an office complex.

I didn't go into the remaining woods to see if the fort was still there.

I imagine it is. I imagine other kids own it now.

Later someone told me that Luke Bradley (who turned out to have really been three years older than me) had been expelled from high school, committed several robberies in the company of his three goons, and then all of them were killed in a shootout with the police.

What Luke Bradley inadvertently showed me was that I could have been with the gang all the way to their violent and pointless end, if Albert and the dead kid, whose name was Jonathan, hadn't saved me.




Malthusian's Zombie

by Jeffrey Ford

Jeffrey Ford is the author of several novels, including The Physiognomy, The Portrait of Mrs. Charbuque, The Girl in the Glass, and The Shadow Year. He is a four-time winner of the World Fantasy Award, and has also won the Nebula and Edgar awards. He is a prolific author of short fiction, whose work has appeared in The Magazine of Fantasy & Science Fiction, SCI FICTION, and in numerous anthologies. Two collections of his short work have been published: The Fantasy Writer's Assistant and Other Stories and The Empire of Ice Cream, with a third—The Drowned Life—on the way.




The idea for this story came from Ford's reading of Julian Jaynes's The Origin of Consciousness in the Breakdown of the Bicameral Mind. "The book posits that the voice of god in ancient cultures was in fact one side of the brain communicating with the other across the corpus callosum, through the Wernicke's Area," Ford says.



Add to this the fact that at the time, as now, Ford was teaching Poe. He says the setup of the story is sort of like what Poe would do: "take some speculative aspect of science, a theory that has not been corroborated, an idea not many know the extent of, and extrapolate a bizarre, fanciful tale from it."



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Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы