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I forced myself to believe that Susan was right, and that I had better ignore Malthusian and get to work on my book. The summer was quickly approaching and soon the autumn would send me back to teaching. It would be a great embarrassment to return to work in September empty-handed. I picked up where I had left off months earlier on the manuscript—a chapter concerning "The Facts in the Case of M. Valdemar." The return to work was what I needed to anchor me against the tide of Malthusian's weirdness, but that particular story by the great American hoaxer, second only to P. T. Barnum, had zombie written all over it.

One afternoon, when I was about to leave the house to go to the local bookstore, I looked out the front window and saw the old man slowly shuffling up the street. I had neither seen nor heard from Malthusian since the night I had abandoned him in his fit of madness two weeks prior. It would have been a simple thing to leave the living room and hide in the kitchen, but instead I quickly ducked down beneath the sill. As I crouched there, I wondered at the fear I had developed for my neighbor.

Five minutes went by, and when I thought he should have passed on to where the woods began at the end of the block, I raised my head above the windowsill. There he was, standing at the curb, hunched over, staring directly at me like some grim and ghastly bird of yore. I uttered a brief, startled gasp, and as if he could hear me, he brought the top of his cane up and tapped it lightly against the brim of his Tyrolean hat. Then he turned and moved off. This little scene threw me into a panic. I never went to the bookstore, and when it was time for Lyda to get out of school, I drove over and picked her up instead of letting her take the bus, which would have left her off at the corner. My panic was short-lived, for that evening, at dinner, as I was about to describe the event to Susan, we heard the ambulance.

It is sad to say, but Malthusian's death was a relief to me. Lyda and I watched from a distance as they brought him out on the wheeled stretcher. Susan, who was afraid of nothing, least of all death, went all the way to his house and spoke to the EMTs. She was not there long when we saw her begin walking back.

"Massive heart attack," she said as she approached, shaking her head.

"That's a shame," I said.

Lyda put her arm around my leg and hugged me.

The next morning, while I was wandering around the house looking for inspiration to begin working on Poe again, I discovered that Lyda had draped a silk purple flower, plucked from Susan's dining-room table arrangement, around the neck of Rat Fink. The sight of this made me smile, and as I reached out to touch the smooth illusion of the blossom, I was interrupted by a knocking at the door. I left my daughter's room and went downstairs. Upon opening the front door, I discovered that there was no one there. As I stood, looking out, I heard the knocking sound again. It took me a few long seconds to adjust to the fact that the sound was coming from the back of the house.

"Who knocks at the back door?" I said to myself as I made my way through the kitchen.


3

His eyes were the oval disks of Japanese cartoon characters, glassy and brimming with nothing. Like the whiteness of Melville's whale, you could read anything into them, and while Lyda and I sat staring at him staring at the wall, I projected my desires and frustrations into those mirrors with a will I doubt Ahab could have mustered.

"A blown Easter egg," said Lyda, breaking the silence.

And in the end, she was right. There was an exquisite emptiness about him. His face was drawn, his limbs thin but wiry with real muscle. He looked like a fellow who might at one time have worked as a car mechanic or a UPS delivery man. I guessed his age to be somewhere in the late thirties but knew, from what Malthusian had suggested, that his youth was merely compliance to a command. I wondered how old he would become when the spell was broken. Perhaps, like Valdemar in Poe's story, I thought, he will eventually be reduced to a pool of putrescence.

We had been sitting with the zombie for over an hour when Susan finally arrived home from work. Lyda got up from her seat and ran into the living room to tell her mother that we had a visitor.

"Guess who?" I heard her ask. She led Susan by the hand into the kitchen.

Upon discovering our guest, the first word out of her mouth was, "No." It wasn't like the shriek of a heroine being accosted by a creature in the horror movies. This was the no of derailed late-night amorous advances, a response to Lyda's pleading to stay up till eleven on a school night.

"Let's be sensible about this," I said. "What are we going to do?"

"Call the police," said Susan.

"Are you crazy?" I said. "The very fact that he is here proves that what Malthusian told me was all true. We'd be putting our lives in danger."

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1. Никогда никому не доверять.2. Помнить, что они всегда ищут.3. Не ввязываться.4. Не высовываться.5. Не влюбляться.Пять простых правил. Ариана Такер следовала им с той ночи, когда сбежала из лаборатории генетики, где была создана, в результате объединения человека и внеземного ДНК. Спасение Арианы — и ее приемного отца — зависит от ее способности вписаться в среду обычных людей в маленьком городке штата Висконсин, скрываясь в школе от тех, кто стремится вернуть потерянный (и дорогой) «проект». Но когда жестокий розыгрыш в школе идет наперекосяк, на ее пути встает Зейн Брэдшоу, сын начальника полиции и тот, кто знает слишком много. Тот, кто действительно видит ее. В течении нескольких лет она пыталась быть невидимой, но теперь у Арианы столько внимания, которое является пугающим и совершенно опьяняющим. Внезапно, больше не все так просто, особенно без правил…

Анна Альфредовна Старобинец , Константин Алексеевич Рогов , Константин Рогов , Стэйси Кейд

Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы