Читаем The Living Dead полностью

"Chicken, I'll bring it. There will also be some ointment to spread over our faces and hands. It glows faintly and smells fairly strange, but not unpleasant." Her next question would be the usual.

"What do we do with the blood?"

I gave the usual answer. "We sprinkle some on the grave and some on us."

She swallowed very carefully, looking slightly gray.

"You can back out now but not later. Once you've paid your deposit, it can't be refunded. And once the ceremony begins, to break the circle is very dangerous."

She looked down, thinking. I liked that. Most who agreed right away were afraid later. The brave ones took time to answer. "Yes." She sounded very convinced. "To make peace with Arthur, I can do it."

"Good for you. How is tonight?"

"About midnight," she added hopefully.

I smiled. Everyone thought midnight was the perfect time for raising the dead. All that was required was darkness. Some people did put a great deal of stock in certain phases of the moon, but I had never found it necessary. "No, how about nine o'clock?"

"Nine?"

"If that will be all right. I have two other appointments tonight, and nine was left open."

She smiled. "That will be fine." Her hand shook as she signed the check for half the fee, the other half to be delivered after the raising.

We shook hands, and she said, "Call me Carla."

"I'm Anita."

"I'll see you at nine tonight at Wellington Cemetery."

I continued for her, "Between two large trees and across from the only hill."

"Yes, thank you." She flashed a watery smile and was gone.

I buzzed our receptionist area. "Mary, I'm booked up for this week and won't be seeing any more clients, until at least next Tuesday."

"I'll see to it, Anita."

I leaned back in my chair and soaked up the silence. Three animations a night was my limit. Tonight they were all routine, or almost. I was bringing back my first research scientist. His three colleagues couldn't figure out his notes, and their deadline, or rather grant, was running close. So dear Dr. Richard Norris was coming back from the dead to help them out. They were scheduled for midnight.

At three this next morning I would meet the widowed Mrs. Stiener. She wanted her husband to clear up some nasty details with his will.

Being an animator meant very little nightlife, no pun intended. Afternoons were spent interviewing clients and evenings raising the dead. Though we few were very popular at a certain kind of party—the sort where the host likes to brag about how many celebrities he knows, or worse yet, the kind who simply want to stare. I don't like being on display and refuse to go to parties unless forced. Our boss likes to keep us in the public eye to dispel rumors that we are witches or hobgoblins.

It's pretty pitiful at parties. All the animators huddled, talking shop like a bunch of doctors. But doctors don't get called witch, monster, zombie queen. Very few people remember to call us animators. For most, we are a dark joke. "This is Anita. She makes zombies, and I don't mean the drink." Then there would be laughter all around, and I would smile politely and know I'd be going home early.

Tonight there was no party to worry over, just work. Work was power, magic, a strange dark impulse to raise more than what you were paid for. Tonight would be cloudless, moonlit, and starred; I could feel it. We were different, drawn to the night, unafraid of death and its many forms, because we had a sympathy for it.

Tonight I would raise the dead.

Wellington Cemetery was new. All the tombstones were nearly the same size, square or rectangle, and set off into the night in near-perfect rows. Young trees and perfectly clipped evergreen shrubs lined the gravel driveway. The moon rode strong and high, bathing the scene clearly, if mysteriously, in silver and black. A handful of huge trees dotted the grounds. They looked out of place among all this newness. As Carla had said, only two of them grew close together.

The drive spilled into the open and encircled the hill. The mound of grass-covered earth was obviously man-made, so round, short, and domed. Three other drives centered on it. A short way down the west drive stood two large trees. As my car crunched over gravel, I could see someone dressed in white. A flare of orange was a match, and the reddish pinpoint of a cigarette sprang to life.

I stopped the car, blocking the drive, but few people on honest business visit cemeteries at night. Carla had beaten me here, very unusual. Most clients want to spend as little time as possible near the grave after dark. I walked over to her before unloading equipment.

There was a litter of burned-out cigarettes like stubby white bugs about her feet. She must have been here in the dark for hours waiting to raise a zombie. She either was punishing herself or enjoyed the idea. There was no way of knowing which.

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1. Никогда никому не доверять.2. Помнить, что они всегда ищут.3. Не ввязываться.4. Не высовываться.5. Не влюбляться.Пять простых правил. Ариана Такер следовала им с той ночи, когда сбежала из лаборатории генетики, где была создана, в результате объединения человека и внеземного ДНК. Спасение Арианы — и ее приемного отца — зависит от ее способности вписаться в среду обычных людей в маленьком городке штата Висконсин, скрываясь в школе от тех, кто стремится вернуть потерянный (и дорогой) «проект». Но когда жестокий розыгрыш в школе идет наперекосяк, на ее пути встает Зейн Брэдшоу, сын начальника полиции и тот, кто знает слишком много. Тот, кто действительно видит ее. В течении нескольких лет она пыталась быть невидимой, но теперь у Арианы столько внимания, которое является пугающим и совершенно опьяняющим. Внезапно, больше не все так просто, особенно без правил…

Анна Альфредовна Старобинец , Константин Алексеевич Рогов , Константин Рогов , Стэйси Кейд

Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы