“That would destroy a hundred years of work. To a scientist, that is a mortal sin.”
“I don’t understand about sin, but I know evil when I see it,” the boy said passionately.
“Cloning isn’t the only thing that goes on here.” The doctor pulled out a chair and sat down. “The scientists made many discoveries about congenital diseases. Do you know about sickle-cell anemia? They learned to grow healthy bone marrow in this lab to replace the diseased marrow of a victim.”
“By using clones, I suppose,” Matt said.
“At first. But by sacrificing a few, they saved thousands. They regenerated spinal tissue to heal paralysis. You see, this was the premier research lab in the world, because we could experiment on humans. Well,
Matt struggled with the idea. The longer he was in Opium, the more the line between good and evil blurred. Of course it was good to save people who, through no fault of their own, were suffering. You cut corners, made compromises, and soon you were in the same position as El Patrón, shooting down a passenger plane to avert a war.
“Where are those scientists now?”
Dr. Rivas smiled sadly. “With El Patrón.”
“That’s what I would call a mortal sin,” said Matt. He looked at the freezers lining the wall. They extended from floor to ceiling, with a ladder on wheels to allow access to the top levels.
“Surely you want El Patrón’s,” said Dr. Rivas. “What if you should fall ill and need a transplant? You’re the first clone who has lived beyond his thirteenth year, and we don’t know whether there are hidden weaknesses in you. Forgive me for using that word,
“I’ll take my chances. There will be no more clones.”
“No more clones!” shouted Matt. He almost walked out before realizing that he didn’t know where he was. “Which way is my room? I’d like to lie down.”
“Of course! You can rest in the nursery. It’s much closer.”
The doctor led Matt back along the path by the fountain, and the boy paused to let a breeze blow a fine spray over his face. “This is so beautiful,” he said. “Why is it here?”
“El Patrón wanted statues of his brothers and sisters who had died, but of course there were no pictures of them. He selected Illegals for models from what he could remember.”
The seven statues faced the center of the fountain. The girls were so small, they could not look over a windowsill, not even if they stood on tiptoe. The five boys were larger, and two of them, the ones who had been beaten to death by the police, were almost adults. They were filled with joy by the water that pattered over their faces. Their hands were outstretched to hold this miracle that fell all year long, not just for two months in dry, dusty Durango.
And the models? What had happened to them?
18
THE AFRICAN CHILD
The nursery, fortunately, had normal-size beds. Matt didn’t think he could stand a row of empty cribs. It was a brightly lit room with pictures of baby animals on the walls. Stuffed dolls, building blocks, and simple puzzles were strewn over the floor. Matt lay down. He really was tired, and depressed for so many reasons that he had trouble sorting them all out: the fight with María, Esperanza’s scorn, the child who had fled from him in the garden, the clone lab, and last of all, the fountain full of El Patrón’s embalmed memories.
He fell into a deep sleep and only stirred when he heard a strange noise:
He opened his eyes. Someone had raised bars around one of the beds, creating a cage. Inside sat a chubby black boy in diapers. He was too old for diapers, being at least six, and he was rocking back and forth.
“Do you want a bottle, Mbongeni?” asked the girl. “Nice, warm milk? Nummy-nummy-nums?”