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He saw the great dark bird flap slowly across the clearing, and melt against the shadow of the giant beech; he heard its hoarse, croaking note; the crowds of heads bowed low before its passage. The White Horses he did not see; only a sound as of considerable masses of air regularly displaced was audible far overhead. But the veiled light, as though great thunder-clouds had risen, he saw distinctly. The sky above the clearing where he stood, panting and dishevelled, was blocked by a mass that owned unusual outline. These clouds now topped the forest, hiding the moon and stars. The flowers went out like nightlights blown. The wind rose slowly, then with sudden violence. There was a roaring in the tree-tops. The branches tossed and shook.

“The White Horses!” cried the voices, in a frenzy of adoration. “He is here!”

It came swiftly, this collective mass; it was both apt and terrible. There was an immense footstep. It was there.

Then panic seized him, he felt an answering tumult in himself, the Past surged through him like a sea at flood. Some inner sight, peering across the wreckage of Today, perceived an outline that in its size dwarfed mountains, a pair of monstrous shoulders, a face that rolled through a full quarter of the heavens. Above the ruin of civilization, now fulfilled in the microcosm of his own being, the menacing shadow of a forgotten deity peered down upon the earth, yet upon one detail of it chiefly – the human group that had been wildly dancing, but that now chanted in solemn conclave about a forest altar.

For some minutes a dead silence reigned; the pouring winds left emptiness in which no leaf stirred; there was a hush, a stillness that could be felt. The kneeling figures stretched forth a level sea of arms towards the altar; from the lowered heads the hair hung down in torrents, against which the naked flesh shone white; the skins upon the rows of backs gleamed yellow. The obscurity deepened overhead. It was the time of adoration. He knelt as well, arms similarly outstretched, while the lust of vengeance burned within him.

Then came, across the stillness, the stirring of big wings, a rustling as the great bird settled in the higher branches of the beech. The ominous note broke through the silence; and with one accord the shining backs were straightened. The company rose, swayed, parting into groups and lines. Two score voices resumed the solemn chant. The throng of pallid faces passed to and fro like great fire-flies that shone and vanished. He, too, heard his own voice in unison, while his feet, as with instinctive knowledge; trod the same measure that the others trod.

Cut of this tumult and clearly audible above the chorus and the rustling feet rang out suddenly, in a sweetly fluting tone, the leader’s voice:

“The Fire! But first the hands!”

A rush of figures set instantly towards a thicket where the underbrush stood densest. Skins, trailing flowers, bare waving arms and tossing hair swept past on a burst of perfume. It was as though the trees themselves sped by. And the torrent of voices shook the very air in answer:

“The Fire! But first – the hands!”

Across this roaring volume pierced then, once again, that wailing sound which seemed both human and nonhuman – the anguished cry as of some lonely wolf in metamorphosis, apart from the collective safety of the pack, abjectly terrified, feeling the teeth of the final trap, and knowing the helpless feet within the steel. There was a crash of rending boughs and tearing branches. There was a tumult in the thicket, though of brief duration – then silence.

He stood watching, listening, overmastered by a diabolical sensation of expectancy he knew to be atrocious. Turning in the direction of the cry, his straining eyes seemed filled with blood; in his temples the pulses throbbed and hammered audibly. The next second he stiffened into a stone-like rigidity, as a figure, struggling violently yet half collapsed, was borne hurriedly past by a score of eager arms that swept it towards the beech tree, and then proceeded to fasten it in an upright position against the trunk. It was a man bound tight with thongs, adorned with leaves and flowers and trailing green. The face was hidden, for the head sagged forward on the breast, but he saw the arms forced flat against the giant trunk, held helpless beyond all possible escape; he saw the knife, poised and aimed by slender, graceful fingers above the victim’s wrists laid bare; he saw the – hands.

“An eye for an eye,” he heard, “a tooth for a tooth!” It rose in awful chorus. Yet this time, although the words roared close about him, they seemed farther away, as if wind brought them through the crowding trees from far off.

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Конрад Лоренц (1903-1989) — выдающийся австрийский учёный, лауреат Нобелевской премии, один из основоположников этологии, науки о поведении животных.В данной книге автор прослеживает очень интересные аналогии в поведении различных видов позвоночных и вида Homo sapiens, именно поэтому книга публикуется в серии «Библиотека зарубежной психологии».Утверждая, что агрессивность является врождённым, инстинктивно обусловленным свойством всех высших животных — и доказывая это на множестве убедительных примеров, — автор подводит к выводу;«Есть веские основания считать внутривидовую агрессию наиболее серьёзной опасностью, какая грозит человечеству в современных условиях культурноисторического и технического развития.»На русском языке публиковались книги К. Лоренца: «Кольцо царя Соломона», «Человек находит друга», «Год серого гуся».

Вячеслав Владимирович Шалыгин , Конрад Захариас Лоренц , Конрад Лоренц , Маргарита Епатко

Фантастика / Научная литература / Самиздат, сетевая литература / Ужасы / Ужасы и мистика / Прочая научная литература / Образование и наука