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I do not know exactly what feeling it was which drew me to enter upon the exploration of the place; the path was slippery and overgrown with moss, and the air of the shrubbery into which it led was close and moist, full of the breath of rotting leaves. The path ran with snakelike windings, so that at no point was it possible to see more than a few feet ahead. Above, the close boughs held hands as if to screen the path from the light. Then the path suddenly took a turn to the left and went straight to the house.

Two yews flanked the way and a small flight of granite steps, slimy and mildewed, led up to a little door in the corner of the house – a door which had been painted brown, like the colour of the stone, and which was let into its frame so as to be flush with the wall. The upper part of it was pierced with a couple of apertures like eyes filled with glass to give light to the passage within. The steps had evidently not been trodden for many months, even years; but upon the door, near the keyhole, were odd marks looking as if scratched by the hoofs of some beast – a goat, I thought – as if the door had been impatiently struck by something awaiting entrance there.

I do not know what was the obsession which fell on me at the sight of this place. A cold dismay seemed to spring from the dark and clutch me; there are places which seem so soaked, as it were, in malign memories that they give out a kind of spiritual aroma of evil. I have seen in my life things which might naturally seem to produce in the mind associations of terror and gloom. I have seen men die; I have seen a man writhe in pain on the ground from a mortal injury; but I never experienced anything like the thrill of horror which passed through my shuddering mind at the sight of the little door with its dark eye-holes.

I went in chilly haste down the path and came out upon the terrace, looking out over the peaceful woods. The sun was now setting in the west among cloud-fiords and bays of rosy light. But the thought of the dark path lying like a snake among the thickets dwelt in my mind and poisoned all my senses.

Presently I heard the voice of Basil call me cheerfully from the corner of the house. We went in. A simple meal was spread for us, half tea, half dinner, to which we did full justice. But afterwards, though Basil was fuller than ever, so it seemed to me, of talk and laughter, I was seized with so extreme a fatigue that I drowsed off several times in the course of our talk, till at last he laughingly ordered me to bed.

I slept profoundly. When I awoke, it was bright day. My curtains had been drawn, and the materials for my toilette arranged while I still slept. I dressed hastily and hurried down, to find Basil awaiting me.

That morning we gave up to exploring the house. It was a fine old place, full from end to end of the evidences of long and ancestral habitation. The place was full of portraits. There was a great old dining-room – Basil had had the whole house unshuttered for my inspection – a couple of large drawing-rooms, long passages, bedrooms, all full of ancient furniture and pictures, as if the family life had been suddenly suspended. I noticed that he did not take me to the study, but led me upstairs.

“This is my room,” said Basil suddenly; and we turned into a big room in the lefthand corner of the garden-front. There was a big fourpost bedroom here, a large table in the window, a sofa, and some fine chairs. But what at once attracted my observation was a low door in the corner of the room, half hidden by a screen. It seemed to me, as if by a sudden gleam of perception, that this door must communicate with the door I had seen below; and presently, while I stood looking out of the great window upon the valley, I said to Basil, “And that door in the corner – does that communicate with the little door in the wood?”

When I said this, Basil was standing by the table, bending over some MSS. He suddenly turned to me and gave me a very long, penetrating look; and then, as if suddenly recollecting himself, said, “My dear Ward, you are a very observant fellow – yes, there is a little staircase there that goes down into the shrubbery and leads to the terrace. You remember that old Mr Heale of whom I told you – well, he had this room, and he had visitors at times whom I daresay it was not convenient to admit to the house; they came and went this way; and he too, no doubt, used the stairs to leave the house and return unseen.”

“How curious!” I said. “I confess I should not care to have this room – I did not like the look of the shrubbery door.”

“Well,” said Basil, “I do not feel with you; to me it is rather agreeable to have the association of the room. He was a loose old fish, no doubt, but he lived his life, and I expect enjoyed it, and that is more than most of us can claim.”

As he said the words he crossed the room, and opening the little door, he said, “Come and look down – it is a simple place enough.”

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Конрад Лоренц (1903-1989) — выдающийся австрийский учёный, лауреат Нобелевской премии, один из основоположников этологии, науки о поведении животных.В данной книге автор прослеживает очень интересные аналогии в поведении различных видов позвоночных и вида Homo sapiens, именно поэтому книга публикуется в серии «Библиотека зарубежной психологии».Утверждая, что агрессивность является врождённым, инстинктивно обусловленным свойством всех высших животных — и доказывая это на множестве убедительных примеров, — автор подводит к выводу;«Есть веские основания считать внутривидовую агрессию наиболее серьёзной опасностью, какая грозит человечеству в современных условиях культурноисторического и технического развития.»На русском языке публиковались книги К. Лоренца: «Кольцо царя Соломона», «Человек находит друга», «Год серого гуся».

Вячеслав Владимирович Шалыгин , Конрад Захариас Лоренц , Конрад Лоренц , Маргарита Епатко

Фантастика / Научная литература / Самиздат, сетевая литература / Ужасы / Ужасы и мистика / Прочая научная литература / Образование и наука