Читаем The Man Who Was Thursday полностью

“I must ask you to forgive me all these formalities,” said Gregory; “we have to be very strict here.”

“Oh, don’t apologise,” said Syme. “I know your passion for law and order,” and he stepped into the passage lined with the steel weapons. With his long, fair hair and rather foppish frock-coat, he looked a singularly frail and fanciful figure as he walked down that shining avenue of death.

They passed through several such passages, and came out at last into a queer steel chamber with curved walls, almost spherical in shape, but presenting, with its tiers of benches, something of the appearance of a scientific lecture-theatre. There were no rifles or pistols in this apartment, but round the walls of it were hung more dubious and dreadful shapes, things that looked like the bulbs of iron plants, or the eggs of iron birds. They were bombs, and the very room itself seemed like the inside of a bomb. Syme knocked his cigar ash off against the wall, and went in.

“And now, my dear Mr. Syme,” said Gregory, throwing himself in an expansive manner on the bench under the largest bomb, “now we are quite cosy, so let us talk properly. Now no human words can give you any notion of why I brought you here. It was one of those quite arbitrary emotions, like jumping off a cliff or falling in love. Suffice it to say that you were an inexpressibly irritating fellow, and, to do you justice, you are still. I would break twenty oaths of secrecy for the pleasure of taking you down a peg. That way you have of lighting a cigar would make a priest break the seal of confession. Well, you said that you were quite certain I was not a serious anarchist. Does this place strike you as being serious?”

“It does seem to have a moral under all its gaiety,” assented Syme; “but may I ask you two questions? You need not fear to give me information, because, as you remember, you very wisely extorted from me a promise not to tell the police, a promise I shall certainly keep. So it is in mere curiosity that I make my queries. First of all, what is it really all about? What is it you object to? You want to abolish Government?”

“To abolish God!” said Gregory, opening the eyes of a fanatic. “We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery, upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights as we hate Wrongs. We have abolished Right and Wrong.”

“And Right and Left,” said Syme with a simple eagerness, “I hope you will abolish them too. They are much more troublesome to me.”

“You spoke of a second question,” snapped Gregory.

“With pleasure,” resumed Syme. “In all your present acts and surroundings there is a scientific attempt at secrecy. I have an aunt who lived over a shop, but this is the first time I have found people living from preference under a public-house. You have a heavy iron door. You cannot pass it without submitting to the humiliation of calling yourself Mr. Chamberlain. You surround yourself with steel instruments which make the place, if I may say so, more impressive than homelike. May I ask why, after taking all this trouble to barricade yourselves in the bowels of the earth, you then parade your whole secret by talking about anarchism to every silly woman in Saffron Park?”

Gregory smiled.

“The answer is simple,” he said. “I told you I was a serious anarchist, and you did not believe me. Nor do they believe me. Unless I took them into this infernal room they would not believe me.”

Syme smoked thoughtfully, and looked at him with interest. Gregory went on.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука / Проза