He puts down his pen. He thinks, this letter will not do, tomorrow I will fill in the gaps; or perhaps not, tomorrow they want me at the Tower. He is too tired, too shaken, too riven by horror and desolation to describe in any detail the judgement of Lambert, let alone his last day. He writes,
Let them. He closes his eyes. What does God see? Cromwell in the fifty-fourth year of his age, in all his weight and gravitas, his bulk wrapped in wool and fur? Or a mere flicker, an illusion, a spark beneath a shoe, a spit in the ocean, a feather in a desert, a wisp, a phantom, a needle in a haystack? If Henry is the mirror, he is the pale actor who sheds no lustre of his own, but spins in a reflected light. If the light moves he is gone.
When I was in Italy, he thinks, I saw Virgins painted on every wall, I saw in every fresco the sponged blood-colour of Christ’s robe. I saw the sinuous tempter that winds from a branch, and Adam’s face as he was tempted. I saw that the serpent was a woman, and about her face were curls of silver-gilt; I saw her writhe about the green bough, saw it sway under her coils. I saw the lamentation of Heaven over Christ crucified, angels flying and crying at the same time. I saw torturers nimble as dancers hurling stones at St Stephen, and I saw the martyr’s bored face as he waited for death. I saw a dead child cast in bronze, standing over its own corpse: and all these pictures, images, I took into myself, as some kind of prophecy or sign. But I have known men and women, better than me and closer to grace, who have meditated on every splinter of the cross, till they forget who and what they are, and observe the Saviour’s blood, running in the soaked fibres of the wood. Till they believe themselves no longer captive to misfortune nor crime, nor in thrall to a useless sacrifice in an alien land. Till they see Christ’s cross is the tree of life, and the truth breaks inside them, and they are saved.
He sands his paper. Puts down his pen. I believe, but I do not believe enough. I said to Lambert, my prayers are with you, but in the end I only prayed for myself, that I might not suffer the same death.
III
Inheritance
His scheme of registration is badly taken. Recording baptisms, the people say, will enable the king to tax us in our infancy. Recording weddings will allow him to impose a levy on every bride and groom. Given notice of funerals, Cromwell’s commissioners will attend to pluck the pennies off the corpse’s lids.
Cromwell is laying his plans, they say, to steal our firewood, our chickens and our spoons. He means to impound our millstone, tax cauldrons and stewpots, weight the beam, tamper with the baker’s scales, and fix liquid measures in his favour. The man is like a weasel, who eats his own weight every day. You do not see him coming, he makes himself so small he can pass through a wedding ring. His eyes are open all night. He dances to baffle his prey then sucks out their brains. His lair is in the dens of the vanquished and he lines it with their fur.
Ambassador Chapuys seeks an interview. He is agitated. ‘Thomas, do you know what they are saying in Rome? They say that when you broke Becket’s shrine you took his bones and shot them out of a cannon. Surely it cannot be true?’
‘Ambassador, if only I had thought of it …’
Chapuys says, ‘You are lucky you do not serve that King Henry who had Becket murdered. The chronicles state he would roll on the floor in his rages, and foam at the mouth like a mad dog.’
At Lambeth Palace they had a statue of Becket perched in the outer wall, looking over the river. Now Cranmer has taken it down and the place is empty. His bargemaster says, ‘I’ve been saluting that knave since I was a boy.’
‘Time you stopped then, Bastings.’
‘My father before me. His father before him. I expect habit will keep me to it.’
Bastings spits over the side. In the days when he was a little lad at Putney, he used to think boatmen spat for luck. But his uncle John told him that they do it to alert their gods, who look up through the tides at the underside of vessels, and see the leaks not yet sprung.
When he was fourteen he thought all the time about the river. When it rained he thought, good, more water, carrying me away to the sea.