In the painted evening they walk past the windmill. He points out to sea, about a hundred yards, to the place where dolphins breached, a week ago, in a softfall of violet light. It is one of those imprinted moments, part of him now, contained in island time. A fishing boat approaches in the calm that settles in at this hour. It is blood red, the Katerina, a life ring fixed to the mast. She smiles as he makes out the name. The motor leaves a cadenced noise.The small Cretan rugs. The plank floors. The old lamp with its sepia shade. The donkey bag on the wall. The flowers in rusty cans on the roof, the steps, the window ledges. Tap's handprint on a mirror. The cane chair in a rectangle of light.In the morning they leave. From the top deck of the boat they see the white village rocking in the mist. How brave and affecting it is, houses clustered on a windy rock, news and reassurance. They eat the food she has packed, sitting low in their slatted bench, out of the wind. He asks her the names of things, ship parts, equipment, and later they walk across the lower deck to trace the system of ropes and anchor chains.The sun is obscured in dense ascending cloud. Soon the island is a silhouette, a conjecture or mood of light, scant and pale on the iron sea.
The Mountain
6