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“I told him I thought that a pretty reasonable request and I would do so if he would let me put him into a wheat sack; he would be easier to carry that way and if we were seen by the neighbors en route it would cause less remark. He agreed to that, and going to the barn I got a sack. This, however, did not fit him; it was too short and much wider than he; so I bent his legs, forced his knees up against his breast and got him into it that way, tying the sack above his head. He was a heavy man and I had all that I could do to get him on my back, but I staggered along for some distance until I came to a swing that some of the children had suspended to the branch of an oak. Here I laid him down and sat upon him to rest, and the sight of the rope gave me a happy inspiration. In twenty minutes my uncle, still in the sack, swung free to the sport of the wind.

“I had taken down the rope, tied one end tightly about the mouth of the bag, thrown the other across the limb and hauled him up about five feet from the ground. Fastening the other end of the rope also about the mouth of the sack, I had the satisfaction to see my uncle converted into a large, fine pendulum. I must add that he was not himself entirely aware of the nature of the change that he had undergone in his relation to the exterior world, though in justice to a good man’s memory I ought to say that I do not think he would in any case have wasted much of my time in vain remonstrance.

“Uncle William had a ram that was famous in all that region as a fighter. It was in a state of chronic constitutional indignation. Some deep disappointment in early life had soured its disposition and it had declared war upon the whole world. To say that it would butt anything accessible is but faintly to express the nature and scope of its military activity: the universe was its antagonist; its methods that of a projectile. It fought like the angels and devils, in mid-air, cleaving the atmosphere like a bird, describing a parabolic curve and descending upon its victim at just the exact angle of incidence to make the most of its velocity and weight. Its momentum, calculated in foot-tons, was something incredible. It had been seen to destroy a four year old bull by a single impact upon that animal’s gnarly forehead. No stone wall had ever been known to resist its downward swoop; there were no trees tough enough to stay it; it would splinter them into matchwood and defile their leafy honors in the dust. This irascible and implacable brute—this incarnate thunderbolt—this monster of the upper deep, I had seen reposing in the shade of an adjacent tree, dreaming dreams of conquest and glory. It was with a view to summoning it forth to the field of honor that I suspended its master in the manner described.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука / Проза