Читаем The Pharoah Contract полностью

The giantess lay naked on her back, her enormous feet toward Ruiz. The massive curve of her belly and breasts prevented him from seeing her face, but he could see the distinctive horned shape of a sensie helmet on her head. Was she awake? Would she be too involved in her sensie to react swiftly when he made his rush? Was she equipped with a subcutaneous insulator field, to protect her from the stun rod? All too probable, he decided — skin fields were a standard slaver precaution.

He noticed an earthy pungent odor. The giantess moaned, pumped her hips, and her knees fell open. Ruiz suppressed an insane urge to giggle. He hefted the stun rod. An idea came to him, an ugly idea, but just possibly an effective one. Ruiz shrugged. Banessa was a slaver and a murderer. He thought, Now is not a time for chivalry. He thumbed the stun rod’s trigger, cranked it all the way up.

Ruiz swept the door open, plunged forward, socketed the stun rod between Banessa’s great thighs, where — he hoped — she was unprotected by the deadening mesh of the skin field. He threw himself away from her, but she was helpless, shaking, heels drumming against her bunk. She retained enough control of her body to extrude her claws and slash her arms back and forth, but her eyes stared blindly and her mouth was open in a scream that she had too little breath to make.

Ruiz dodged the claws, rolled behind her bunk, found the ribbon from which the collar controller hung. He crossed his wrists, wrapped the lanyard around both fists, wrenched it tight around her throat with all his strength. He gave thanks that the ribbon was stronger than it looked.

Minutes passed before the giantess grew still. Ruiz got up slowly, his hands numb. He was glad that it had not been a fair fight; he was beginning to feel very lucky indeed.

He took the controller, doubled the loop, and hung it around his own neck. Then he searched the cabin. He found a number of odd things: a locker full of absurdly undersized lingerie, a box full of illegal sensies of the most depraved sort, a big jar full of severed human penises, floating in blue-tinted preservative, several drawers full of antique weapons. But nowhere could he find the key to the collars.

Marmo will have it, he hoped. He refused to believe that Corean had kept it to send later by separate courier, though that would make sense. He refused to consider the notion, because Corean would have another and more powerful transmitter back at the pens. She would surely explode the collars herself should the boat fail to reach its destination.

He rummaged through Banessa’s weapons. He took a slender spring-loaded stiletto, tucked it into his shoe. He found a beautifully made bola, its bronze weights shaped like little skulls. He looped it through his belt. He found an old splinter gun with yellow ivory grips and a dead battery; reluctantly he set it aside. In the last drawer he found a truly anachronistic weapon, a chemical-propellant handgun, a revolver of blue steel that fired nonexplosive slugs. He flipped out the cylinder; miraculously there were cartridges, the brass green with age. He checked each cartridge carefully, discarded one with an obviously corroded primer. Perhaps one or two of them might still fire.

Lastly, overcoming his revulsion, he retrieved the stun rod, but it had apparently burned out.

He crept out into the passageway. The struggle with the giantess seemed to have gone unnoticed. He checked the other cabins, found them still locked. He would have to be content with the weapons he had found.

Ruiz moved as silently as he could, balancing caution with speed. He remembered the advice he had given Nisa, and he felt a twinge of alarm for her. How much time had passed? He shook himself, pushed those thoughts away, concentrated on the task at hand.

The passageway ran forward to the bow salon. Just before the salon, a ladder led up into the control blister. Here Ruiz paused for a moment to gather himself.

Ruiz went quietly up the ladder, peeped into the control blister. The cyborg stood by the armorglass port, motionless, gazing out over the dark steppe. The overhead lights were off. Dozens of green and amber telltales glowed on the main board, cast flickering reflections over Marmo’s polished carapace. The cyborg carried no obvious weapon, though his right manipulator was hidden from Ruiz.

Ruiz took a deep slow breath, closed his eyes for a moment. He took the ancient revolver in one hand, the bola in the other.

Chapter 26

Ruiz rose into the control blister, whirling the bola. Marmo turned swiftly, and to Ruiz’s horror, the cyborg held a splinter gun. Ruiz released the bola.

Перейти на страницу:

Похожие книги

Укрытие. Книга 2. Смена
Укрытие. Книга 2. Смена

С чего все начиналось.Год 2049-й, Вашингтон, округ Колумбия. Пол Турман, сенатор, приглашает молодого конгрессмена Дональда Кини, архитектора по образованию, для участия в специальном проекте под условным названием КЛУ (Комплекс по локализации и утилизации). Суть проекта – создание подземного хранилища для ядерных и токсичных отходов, а Дональду поручается спроектировать бункер-укрытие для обслуживающего персонала объекта.Год 2052-й, округ Фултон, штат Джорджия. Проект завершен. И словно бы как кульминация к его завершению, Америку накрывает серия ядерных ударов. Турман, Дональд и другие избранные представители американского общества перемещаются в обустроенное укрытие. Тутто Кини и открывается суровая и страшная истина: КЛУ был всего лишь завесой для всемирной операции «Пятьдесят», цель которой – сохранить часть человечества в случае ядерной катастрофы. А цифра 50 означает количество возведенных укрытий, управляемых из командного центра укрытия № 1.Чем все это продолжилось? Год 2212-й и далее, по 2345-й включительно. Убежища, одно за другим, выходят из подчинения главному. Восстание следует за восстанием, и каждое жестоко подавляется активацией ядовитого газа дистанционно.Чем все это закончится? Неизвестно. В мае 2023 года состоялась премьера первого сезона телесериала «Укрытие», снятого по роману Хауи (режиссеры Адам Бернштейн и Мортен Тильдум по сценарию Грэма Йоста). Сериал пользовался огромной популярностью, получил высокие рейтинги и уже продлен на второй и третий сезоны.Ранее книга выходила под названием «Бункер. Смена».

Хью Хауи

Научная Фантастика / Социально-психологическая фантастика