Читаем The Poison Belt полностью

There is a pale new moon-the last moon that human eyes will ever rest upon-and the stars are most brilliant. Even in the clear plateau air of South America I have never seen them brighter. Possibly this etheric change has some effect upon light. The funeral pyre of Brighton is still blazing, and there is a very distant patch of scarlet in the western sky, which may mean trouble at Arundel or Chichester, possibly even at Portsmouth. I sit and muse and make an occasional note. There is a sweet melancholy in the air. Youth and beauty and chivalry and love-is this to be the end of it all? The starlit earth looks a dreamland of gentle peace. Who would imagine it as the terrible Golgotha strewn with the bodies of the human race? Suddenly, I find myself laughing.

"Halloa, young fellah!" says Lord John, staring at me in surprise. "We could do with a joke in these hard times. What was it, then?"

"I was thinking of all the great unsolved questions," I answer, "the questions that we spent so much labor and thought over. Think of Anglo-German competition, for example-or the Persian Gulf that my old chief was so keen about. Whoever would have guessed, when we fumed and fretted so, how they were to be eventually solved?"

We fall into silence again. I fancy that each of us is thinking of friends that have gone before. Mrs. Challenger is sobbing quietly, and her husband is whispering to her. My mind turns to all the most unlikely people, and I see each of them lying white and rigid as poor Austin does in the yard. There is McArdle, for example, I know exactly where he is, with his face upon his writing desk and his hand on his own telephone, just as I heard him fall. Beaumont, the editor, too-I suppose he is lying upon the blue-and-red Turkey carpet which adorned his sanctum. And the fellows in the reporters' room-Macdona and Murray and Bond. They had certainly died hard at work on their job, with note-books full of vivid impressions and strange happenings in their hands. I could just imagine how this one would have been packed off to the doctors, and that other to Westminster, and yet a third to St. Paul's. What glorious rows of headlines they must have seen as a last vision beautiful, never destined to materialize in printer's ink! I could see Macdona among the doctors-"Hope in Harley Street"-Mac had always a weakness for alliteration. "Interview with Mr. Soley Wilson." "Famous Specialist says `Never despair!'" "Our Special Correspondent found the eminent scientist seated upon the roof, whither he had retreated to avoid the crowd of terrified patients who had stormed his dwelling. With a manner which plainly showed his appreciation of the immense gravity of the occasion, the celebrated physician refused to admit that every avenue of hope had been closed." That's how Mac would start. Then there was Bond; he would probably do St. Paul's. He fancied his own literary touch. My word, what a theme for him! "Standing in the little gallery under the dome and looking down upon that packed mass of despairing humanity, groveling at this last instant before a Power which they had so persistently ignored, there rose to my ears from the swaying crowd such a low moan of entreaty and terror, such a shuddering cry for help to the Unknown, that-" and so forth.

Yes, it would be a great end for a reporter, though, like myself, he would die with the treasures still unused. What would Bond not give, poor chap, to see "J. H. B." at the foot of a column like that?

But what drivel I am writing! It is just an attempt to pass the weary time. Mrs. Challenger has gone to the inner dressing-room, and the Professor says that she is asleep. He is making notes and consulting books at the central table, as calmly as if years of placid work lay before him. He writes with a very noisy quill pen which seems to be screeching scorn at all who disagree with him.

Summerlee has dropped off in his chair and gives from time to time a peculiarly exasperating snore. Lord John lies back with his hands in his pockets and his eyes closed. How people can sleep under such conditions is more than I can imagine.

Three-thirty a.m. I have just wakened with a start. It was five minutes past eleven when I made my last entry. I remember winding up my watch and noting the time. So I have wasted some five hours of the little span still left to us. Who would have believed it possible? But I feel very much fresher, and ready for my fate-or try to persuade myself that I am. And yet, the fitter a man is, and the higher his tide of life, the more must he shrink from death. How wise and how merciful is that provision of nature by which his earthly anchor is usually loosened by many little imperceptible tugs, until his consciousness has drifted out of its untenable earthly harbor into the great sea beyond!

Перейти на страницу:

Похожие книги

Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор