The Potter's Field

At Villa San Giovanni he went and ate at a truckers’ restaurant where he’d already been twice before. And this third time he was not disappointed either. After an hour and a half at table, that is, around three o’clock in the afternoon, he got back in his car and headed toward Gioia Tauro. He took the autostrada, and in a flash he was already past Bagnara. Continuing on the A3, he was about twenty kilometers from Gioia Tauro when he decided to take the final stretch nice and slow, looking for the bypass to Lido di Palmi. There was a bypass for Palmi, but not for Lido di Palmi. How could that be? He was sure he hadn’t missed it and driven past it. He decided just to continue on to Gioia Tauro. Leaving the autostrada, he headed towards town and stopped at the first filling station he found.

“Listen, I need to go to Lido di Palmi. Should I take the autostrada?”

“The autostrada doesn’t go there—or, rather, you would have to follow a long and complicated route. You’re better off taking the state road, which’ll take you down the shoreline. It’s a lot nicer.”

The man explained how to get to the state road.

“One more thing, I’m sorry. Could you tell me where Via Gerace is?”

“You’ll pass it on the way to the state road.”

Via Gerace 15 consisted of a little apartment that must have originally been a rather large garage. It was the first of four identical apartments situated one beside the other, each with a little gate and a tiny yard. Beside the door was a garbage bin. The four flats were situated behind a rather tall building of some ten stories. No doubt they were used as crash pads or pieds-à-terre for people passing through. The inspector got out of the car, took from his pocket the keys he had taken from Fazio’s desk, opened the little gate, closed it behind him, opened the door, and closed this too. Macannuco had done a good job entering the place without forcing the locks. The apartment was quite dark, and Montalbano turned on the light.

There was a tiny entrance hall that hadn’t been photographed ; it had barely enough room for a coatrack and a small, low piece of furniture with one drawer and a small lamp on top, which illuminated the space. The kitchen looked the same as in the photograph, but now the cupboards were open, as was the refrigerator; and bottles, boxes, and packages had been scattered higgledy-piggledy across the table.

The search team had passed through the bedroom like a tornado. Alfano’s trousers were balled up on the floor. In the bathroom, they had dismantled the flushing system and exposed all the pipes, breaking the wall. The trapdoor directly above the sink was left open, and there was a folding stepladder beside the bidet. Montalbano moved it under the trapdoor and climbed it. The storage space was empty. Apparently the Forensics team had taken the suitcase and shoebox away with them.

He climbed down, went back into the entrance hall, and opened the drawer on the little stand. Stubs of electric and gas bills. Sticking out from under the stand, whose legs were barely an inch and a half tall, was the white corner of an envelope. Montalbano bent down to pick it up. It was an unopened bill from Enel, the electric company. He opened it. The payment deadline on it was August 30. It hadn’t been paid. He put it back under the stand and was about to turn out the light when he noticed something.

He went up to the little stand again, ran a finger over it, picked up the lamp, put it back down, opened the door, went out, closed it behind him, and raised the lid on the garbage bin. It was empty. There were only a few rust stains at the bottom. He put it back in place, opened the little gate, was about to close it again behind him, when a voice above him called out:

“Who are you, may I ask?”

It was a fiftyish woman who must have weighed a good three hundred pounds, with the shortest legs Montalbano had ever seen on a human being. A giant ball. She was looking out from a balcony on the first floor of the tall building, directly above the Alfanos’ apartment.

“Police. And who are you?”

“I’m the concierge.”

“I’d like to talk to you.”

“So talk.”

A half-open window on the second floor of her building then opened all the way, and a girl who looked about twenty came forward, resting her elbows on the railing, as if settling in to listen to the proceedings.

“Look, signora, must we speak at this distance?” the inspector asked.

“I got no problem with it.”

“Well, I do have a problem with it. Come down to the porter’s desk at once. I’ll meet you there.”

He closed the little gate, got into his car, circled round the building, stopped in front of the main entrance, got out, climbed four steps, went inside, and found himself face-toface with the concierge, who was getting out of the elevator sideways, pulling in her tits and paunch as best she could. Once out, the ball reinflated.

“Well?” she asked belligerently.

“I’d like to ask you a few questions about the Alfanos.”