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Mieli lies down on the bed, closes her eyes and imagines the temple. It is in the shadow of Kunapipi Mons, a shield volcano rising from the basalt plain. The surface of the rock is covered in a thin layer of lead and tellurium, condensed from the metal fumes that rise from the canyons and furrows where the temperature exceeds seven hundred Kelvin.

The temple is a stone shadow, a projection of some higher-dimensional object, with strange geometry: the black corridors she walks along suddenly open into vast hollows crisscrossed by stone bridges at impossible angles. But she has been through this labyrinth before, and follows the metal flower markings unerringly.

In the centre, there is the axis, a little trapped singularity, floating in a cylindrical pit, a falling star, suspended. That is where the goddess lives. Even now, Mieli remembers how she felt at the end of her journey here in the physical world, in a thick q-suit, beaten down by the relentless gravity, limbs burning with fatigue.

‘Mieli,’ the goddess says. ‘How nice to see you here.’ Strangely, she looks more human here than when she chooses to manifest to her on her own. The lines on her face and neck and the corners of her eyes are visible. ‘Let me see where you are. Ah, Mars. Of course. I always loved Mars. I think we will preserve that place, somewhere, once the Great Common Task is done.’

She brushes a lock of hair away from Mieli’s forehead. ‘You know, I do wish you would come here sometime without having to ask for something. I have time to all those who serve me, and why wouldn’t I? I am many.’

‘I made a mistake,’ says Mieli. ‘I let the thief get away from me. I was inattentive. It will not happen again.’

The pellegrini raises her eyebrows. ‘Let me see your memories. Ah. But you found him again? And made progress? Child, you don’t have to come to me to unburden your soul after every little failure or a bump in the road. I trust you. You have served me well. Now, what is it that you need?’

‘The thief wants tools to steal what they call gevulot here. He thinks there are Sobornost agents on Mars who might be able to help, and wants to contact them.’

The pellegrini looks at the bright dot of the axis for a moment. ‘A simple enough request, under normal circumstances. They would obey my seal without question. But I cannot be associated with your mission, not directly. I can provide you with information and contacts, but you will have to do your own negotiation with them. It will be vasilevs, they can be troublesome. Such handsome boys, and they know it.’

‘I understand.’

‘No matter. I will send what you need to that cute little ship of yours. I am satisfied with your progress: do not worry about failures.’

Mieli swallows. The question comes out unbidden.

‘Am I being punished?’

‘What do you mean? Of course not.’

‘Then why am I treating the thief with velvet gloves? In the war, the warminds would take prisoners and find the tiniest things hidden in their minds. Why is the thief any different?’

‘He isn’t,’ the pellegrini says. ‘But he will be.’ ‘I don’t understand.’

‘You don’t have to. Trust me, you were carefully chosen for this task. Carry it out as you have, and both I and your friend will see you here soon, in the flesh.’

Then Mieli is back in the rose-scented room. Slowly, she gets up and makes herself another drink.

While Mieli is away, Perhonen and I work on the Watch. Or she does; I mainly act as her hands. Apparently, Mieli has given the ship a degree of access to this body’s sensory systems. It is an odd feeling, holding the Watch in my hands while thin q-dot probes crawl from my fingers into it.

‘I always liked these,’ I say aloud. ‘The Watches. Coupling entangled states with oscillators and mechanics. Large and small. Beautiful.’

Hm. Lift it closer to your eye.

While Perhonen carries out the analysis, I’m flicking through exomemories of memory palaces, fighting the resulting headache with drink.

‘You know, I think I was off my head. Memory palaces?’ An elaborate memory system, based on a technique of impressing places and images on the mind. Imaginary loci where symbols representing memories could be stored. Used by Greek orators, medieval scholars and Renaissance occultists. Made obsolete by the advent of printing.

I wave the Watch in frustration. ‘You know, I would have thought that the whole point of hiding things here would have been for me to find them easily again. It’s almost as if I don’t want myself to discover anything.’

Hold still.

‘I can’t find anything on Paul Sernine, no public exomemories, not that it’s surprising. I do wonder what I was doing on Mars, apart from this Raymonde girl.’

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