There is a little local exomemory that opens up while Isidore studies the structure. It describes
On impulse, he takes out his magnifying glass. He gasps. When he zooms in, the surface reveals immense complexity, black leaves and spikes and pyramids, whole architectures with alarming regularity that go all the way down to the molecular level. And the material is something the glass does not even recognise, something resembling what it calls zoku q-matter, but denser: in spite of its relatively small size, the structure must be immensely heavy. Underneath, it looks less like a piece of architecture than a part of some unimaginably complex machine, frozen in time.
*
Deep in thought, he starts walking towards the next Reflection piece, only a few hundred metres away, trusting his sense of direction to guide him through the Maze.
He jumps at a sudden noise. There is the silhouette of a parkrouller on a nearby rooftop. This is one of the parts of the Maze where construction was started and then stopped when the drifting of the city platforms moved it to an unfavourable position: everything here is half-finished and deserted. The buildings lining the narrow streets look like decayed teeth. As he watches, the parkrouller disappears, becoming a gevulot blur. He quickens his pace and keeps walking.
After a minute, he hears the footsteps, following him. At first, he thinks the sound belongs to one person. But when he stops to listen, it is clear from their echo that there are several followers, marching in perfect synchrony, like soldiers. He walks briskly and turns away from the main street, into a small alley, only to see the slow drift of the Maze close the other end and turn it into a dead end. When he turns around, he sees the four Sebastians.
They all look like Élodie’s boyfriend: sixteen, perfect features, blond hair, a young Martian’s zoku-influenced, tight-fitting clothes. At first their faces are expressionless. Then they all smile in unison, mouths twisting into cruel, mirthless lines.
‘Hello, copykiller,’ one of them says.
‘We recognise you now,’ says the second.
‘You should have—’
‘—minded your own business,’ finishes the last.
‘Foolish to come to our domain, smelling of the underworld.’
‘Foolish to come near the places the hidden ones have told us to guard.’
Like trained soldiers, they take a single step forward, and draw out small knives.
Isidore turns and runs, as fast as he can, looking for handholds to climb up the obstacle that has closed the alley.
The parkroulling Sebastian takes him down in a flying tackle. Air escapes his lungs, and he slams both elbows at the pavement, followed by his nose. The world goes red for a second. When his vision returns, he is prone on his back, and four perfect porcelain faces loom in a circle above him. There is something cold and sharp, pressing against his throat. Hands hold his limbs down. Desperately, he opens his gevulot, reaching for the police Quiet’s emergency feed. But it feels distant and slippery: the gogol pirates are doing something to stop it.
Upload tendrils dance above his face like the firework snakes at the party: he imagines them hissing. He feels a little pinprick of pain at his throat. One of the Sebastians lifts up a small injection needle. ‘We are going to have your mind, copykiller,’ he says. ‘It was such a blessing to find out what you looked like. We praised Fedorov when we saw the paper. You are going to scream now, just like the chocolatier in my brother’s memories. Pray that the Founders in their wisdom give you a part of the Great Common Task. As a missile guidance system. Or food for the Dragons, perhaps.’ The tips of the tendrils feel like sharp, electric kisses on his scalp.
‘Let him go,’ says a rasping chorus voice.
The Gentleman stands at the other end of the alley, just at the limit of Isidore’s blurring vision, a black shape with a glint of silver.
‘I don’t think so,’ the first Sebastian says. Some of the tendrils peek out of his mouth like a bouquet of glowing snakes. ‘I am touching his brain. Even your witch fog is not faster than light, bitch.’