“Might at that,” returned the Inspector. “By the way, I’ve heard from Velie about Michaels’ term up in Elmira. Thomas reports that it was a hushed-up case — much more serious than the light sentence in the Reformatory indicates. Michaels was suspected of forgery — and it looked mighty black for him. Then Lawyer Field nicely got Mr. Michaels off on an entirely different count — something to do with petty larceny — and nothing was ever heard about the forgery business again. This boy Michaels looks like the real thing — have to step on his heels a bit.”
“I have a little idea of my own about Michaels,” said Ellery thoughtfully. “But let it go for the present.”
Queen seemed not to hear. He stared into the fire roaring in the stone fireplace. “There’s Lewin, too,” he said. “Seems incredible that a man of Lewin’s stamp should have been so confidentially associated with his employer without knowing a good deal more than he professes. Is he keeping something back? If he is, heaven help him — because Cronin will just about pulverize him!”
“I rather like that chap Cronin,” sighed Ellery. “How on earth can a fellow be so set on one idea?... Has this occurred to you? I wonder if Morgan knows Angela Russo? Despite the fact that both of them deny a mutual acquaintance. Would be deucedly interesting if they did, wouldn’t it?”
“‘My son,” groaned Queen, “don’t go looking for trouble. We’ve a peck of it now without going out of our way for more... By jingo!”
There was a comfortable silence as the Inspector sprawled in the light of the leaping flames. Ellery munched contentedly on a succulent piece of pastry. Djuna’s bright eyes gleamed from the far corner of the room, where he had stolen noiselessly and squatted on his thin haunches on the floor, listening to the conversation.
Suddenly the old man’s eyes met Ellery’s in a spasmodic transference of thought.
“The hat...” muttered Queen. “We always come back to the hat.”
Ellery’s glance was troubled. “And not a bad thing to come back to, Dad. Hat — hat — hat! Where does it fit in? Just what do we know about it?”
The Inspector shifted in his chair. He crossed his legs, took another pinch of snuff and proceeded with a fresh vigor. “All right. We can’t afford to be lazy in the matter of that blamed silk topper,” he said briskly. “What do we know so far? First, that the hat did not leave the theatre. It seems funny, doesn’t it? Doesn’t seem possible that we would find no trace at all after such a thorough search... Nothing was left in the cloakroom after everybody was gone; nothing was found in the sweepings that might indicate a hat torn to small pieces or burned; in fact, not a trace, not a thing for us to go on. Therefore, Ellery, the only sensible conclusion we can make at this point is
Ellery was silent. “I’m not at all satisfied with things as you’ve stated them, Dad,” he muttered at last. “Hat — hat — there’s something wrong somewhere!” He fell silent once more. “No! The hat is the focal point of this investigation — I cannot see any other way out of it. Solve the mystery of Field’s hat and you will find the one essential clue that will point to the murderer. I’m so convinced of this that I’ll be satisfied we’re on the right track only when we’re making progress in the explanation of the hat.”
The old man nodded his head vigorously. “Ever since yesterday morning, when I had time to think over the hat business, I’ve felt that we had gone astray somewhere. And here it is Wednesday night — still no light. We’ve done necessary things — they’ve led nowhere...” He stared into the fire. “Everything is so badly muddled. I’ve got all the loose ends at my fingertips, but for some blasted reason I can’t seem to make them cohere — fit together —
The telephone bell rang. The Inspector sprang for the instrument. He listened attentively to a man’s unhurried tones, made a brisk comment and finally hung up.
“Who’s the latest midnight babbler, O recipient of many confidences?” asked Ellery, grinning.
“That was Edmund Crewe,” said Queen. “You may remember I asked him yesterday morning to go over the Roman. He spent all of yesterday and today at it. And he reports positively that there is no secret hiding place anywhere on the premises of the theatre. If Eddie Crewe, who is about the last word in architectural matters of this kind, says there’s no hiding place there, you may rest assured it’s so.”