The Scarecrow

“All I promised her was that I would investigate the case. Where it goes it goes, that’s all.”

“Bullshit. You’re using her because she’s too ignorant to know it. The kid will probably be just as stupid and go along, too. And we all know the lawyer will trade the kid for headlines. You really think you’re going to win the big one with this, don’t you?”

I shook my head and didn’t respond. I could feel my face getting red and I turned to look out the window.

“Hey, but it’s okay,” Lester said.

I turned and looked back at him and I read his face.

“What do you want, Sonny?”

“A piece, that’s all. We work it as a team. I go with you up to Sylmar and to court and I do all the photo work. You fill out a photo request, you put my name on it. Makes it a better package anyway. Especially for submissions.”

Meaning submissions to Pulitzer and other prize judges.

“Look,” I said, “I haven’t even told my editor about this yet. You are jumping way ahead. I don’t even know if they’ ll-”

“They’ll love it and you know it. They’re going to cut you loose to work it and they might as well cut me loose too. Who knows, maybe we both get a prize. They can’t lay you off if you bring home a Pulitzer.”

“You’re talking about the ultimate long shot, Sonny. You’re crazy. Besides that, I already got laid off. I’ve got twelve days and then I could give a shit about the Pulitzer Prize. I’m out of here.”

I saw his eyes register surprise at the news of my layoff. Then he nodded as he factored the new information into his ongoing scenario.

“Then this is the ultimate adios,” he said. “I get it. You leave ’em with a fuck-you-a story so good they gotta enter it in contests even though you’re long out the door.”

I didn’t respond. I hadn’t thought I was so easy to read. I turned back to the window. The freeway was elevated here and I could see block after block of houses crowded together. Many had blue tarps tied over their old, leaky roofs. The farther south you went in the city, the more of those tarps you saw.

“I still want in,” Lester said.

With complete access to Alonzo Winslow and his case now established, I was ready to discuss the story with my editor. By that I meant that I would officially say I was working it and my ace could put it on his futures budget. When I got back to the newsroom, I went directly over to the raft and found Prendergast at his desk. He was busily typing into his computer.

“Prendo, you got a minute?”

He didn’t even look up.

“Not right now, Jack. I got tagged with putting together the budget for the four o’clock. You got something for tomorrow besides Angela’s story?”

“No, I’m talking more long-range.”

He stopped typing and looked up at me and I realized he was confused. How long-range could a guy with twelve days left go?

“Not that long-range. We can talk later or tomorrow. Did Angela turn in the story?”

“Not yet. I think she was waiting for you to look it over. Can you go do that now and get it in? I want to get it out on the web as soon as we can.”

“I’m on it.”

“Okay, Jack. We’ll talk later or send me a quick e-mail.”

I turned and my eyes swept the newsroom. It was as long as a football field. I didn’t know where Angela Cook’s cubicle was located but I knew it would be close. The newer you were, the closer they kept you to the raft. The far reaches of the newsroom were for the veterans who supposedly needed less supervision. The south side was called Baja Metro and was inhabited by veteran reporters who still produced. The north side was the Deadwood Forest. This was where the reporters who did little reporting and even less writing were located. Some of them had sacrosanct positions by virtue of political connections or Pulitzer Prizes, and others were just incredibly skilled at keeping their heads down so they wouldn’t draw the attention of the assignment editors or the corporate cutters.

Over the top edge of one of the nearby pods I saw Angela’s blond hair. I went over.

“Howzit going?”

She jumped, startled.

“Sorry. Didn’t mean to scare you.”

“That’s okay. I was just so absorbed in reading this.”

I pointed to her computer screen.

“Is that the story?”

Her face colored. I noticed she had tied her hair behind her head and stuck an editing pencil through the knot. It made her look even sexier than usual.

“No, actually, it’s from archives. It’s the story about you and that killer they called the Poet. That was creepy as hell.”

I checked the screen more closely. She had pulled out of archives a story from twelve years before. From when I was with the Rocky Mountain News and in competition with the Times on a story that had stretched from Denver to the East Coast and then all the way back to L.A. It was the biggest story I had ever chased. It had been the high point of my journalistic life-no, check that, it had been the apex of my entire life-and I didn’t want to be reminded that I had crossed that point so long ago.

“Yeah, it was pretty creepy. Are you finished with today’s story?”