Читаем The Science of Interstellar полностью

Despite the small deflections, Cassini got substantial kicks from the flybys, big enough to compensate for inadequate fuel. In each flyby (except Io), Cassini traveled behind the deflecting planet but at an angle, so the planet’s gravity optimally pulled Cassini forward, speeding it up. In Interstellar, the Endurance does a similar slingshot around Mars.

Cassini has been exploring Saturn and Saturn’s moons for the past ten years, sending back amazing images and information—a treasure trove of beauty and science. For a glimpse, see http://www.nasa.gov/mission_pages/cassini/main/.

By contrast with these weak slingshots in the solar system, Gargantua’s intense gravity can grab even objects moving at ultrahigh speeds and throw them around on strongly bent slingshots. Even a light ray. This produces gravitational lensing, the key to seeing Gargantua.

<p>8</p><p>Imaging Gargantua</p>

Black holes emit no light, so the only way to see Gargantua is by its influence on light from other objects. In Interstellar the other objects are an accretion disk (Chapter 9) and the galaxy in which it lives including nebulae and a rich field of stars. For the sake of simplicity, let’s include only the stars for now.

Gargantua casts a black shadow on the field of stars and it also deflects the light rays from each star, distorting the stellar pattern that the camera sees. This distortion is the gravitational lensing discussed in Chapter 3.

Figure 8.1 shows a rapidly spinning black hole (let’s call it Gargantua) in front of a field of stars, as it would appear to you if you were in Gargantua’s equatorial plane. Gargantua’s shadow is the totally black region. Immediately outside the shadow’s edge is a very thin ring of starlight called the “ring of fire” that I intensified by hand to make the edge of the shadow more distinct. Outside that ring we see a dense sprinkling of stars with a pattern of concentric shells, a pattern produced by the gravitational lensing.

Fig. 8.1. The gravitationally lensed pattern of stars around a rapidly spinning black hole such as Gargantua. When seen from far away, the shadow’s angular diameter, measured in radians, is 9 Gargantua radii divided by the observer’s distance from Gargantua. [From a simulation by the Double Negative visual-effects team.]

As the camera orbits around Gargantua, the field of stars appears to move. This motion combined with the lensing produces dramatically changing patterns of light. The stars stream at high speed in some regions, they float gently in others, and they’re frozen in still other regions; see the film clip on this book’s page at Interstellar.withgoogle.com.

In this chapter I explain all these features, beginning with the shadow and its ring of fire. Then I describe how the black-hole images in Interstellar were actually produced.

When imaging Gargantua in this chapter, I treat it as a fast-spinning black hole, as it must be to produce the extreme loss of time that the Endurance’s crew experience relative to Earth (Chapter 6). However, for fast spin, a mass audience could be confused by the flattening of the left edge of Gargantua’s shadow (Figure 8.1) and by some peculiar features of the star streaming and the accretion disk, so Christopher Nolan and Paul Franklin chose a smaller spin, 60 percent of the maximum, for their Gargantua images in the movie. See the last section in Chapter 9.

Warning: The explanations in the following three sections may require a lot of thought; you can skip them without losing pace with the rest of the book. Not to worry!

The Shadow and Its Ring of Fire

The shell of fire (Chapter 6) plays a key role in producing Gargantua’s shadow and the thin ring of fire alongside it. The shell of fire is the purple region surrounding Gargantua in Figure 8.2, and it contains nearly trapped photon orbits (light rays) such as the one in the upper right inset.[20]

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