Though London was full of these kinds of architectural anomalies, he had never seen buildings that jarred so obviously with their surroundings. The old houses sat in a distinctive row, dark redbrick relics of a more confident and imaginative time, while traffic rumbled unforgivingly past them in both directions, for this was the main artery into London from the west.
They were ornate late-Victorian artists’ studios, their lower windows leaded and latticed and oversized arched north-facing windows on their upper floors, like fragments of the vanished Crystal Palace. Wet, cold and sore though he was, Strike paused for a few seconds to look up at number 179, marveling at its distinctive architecture and wondering how much the Quines would stand to make if Fancourt ever changed his mind and agreed to sell.
He heaved himself up the white front steps. The front door was sheltered from the rain by a brick canopy richly ornamented with carved stone swags, scrolls and badges. Strike brought out the keys one by one with cold, numb fingers.
The fourth one he tried slid home without protest and turned as though it had been doing so for years. One gentle click and the front door slid open. He crossed the threshold and closed the door behind him.
A shock, like a slap in the face, like a falling bucket of water. Strike fumbled with his coat collar, dragging it up over his mouth and nose to protect them. Where he should have smelled only dust and old wood, something sharp and chemical was overwhelming him, catching in his nose and throat.
He reached automatically for a switch on the wall beside him, producing a flood of light from two bare lightbulbs hanging from the ceiling. The hallway, which was narrow and empty, was paneled in honey-colored wood. Twisted columns of the same material supported an arch halfway along its length. At first glance it was serene, gracious, well proportioned.
But with eyes narrowed Strike slowly took in the wide, burn-like stains on the original woodwork. A corrosive, acrid fluid—which was making the still, dusty air burn—had been splashed everywhere in what seemed to have been an act of wanton vandalism; it had stripped varnish from the aged floorboards, blasted the patina off the bare wood stairs ahead, even been thrown over the walls so that large patches of painted plaster were bleached and discolored.
After a few seconds of breathing through his thick serge collar, it occurred to Strike that the place was too warm for an uninhabited house. The heating had been cranked up high, which made the fierce chemical smell waft more pungently than if it had been left to disperse in the chill of a winter’s day.
Paper rustled under his feet. Looking down, he saw a smattering of takeaway menus and an envelope addressed
Strike let the note fall back onto the doormat and moved forwards into the hall, observing the scars left on every surface where the chemical substance had been thrown. To his left was a door; he opened it. The room beyond was dark and empty; it had not been tarnished with the bleach-like substance. A dilapidated kitchen, also devoid of furnishings, was the only other room on the lower floor. The deluge of chemicals had not spared it; even a stale half loaf of bread on the sideboard had been doused.
Strike headed up the stairs. Somebody had climbed or descended them, pouring the vicious, corrosive substance from a capacious container; it had spattered everywhere, even onto the landing windowsill, where the paint had bubbled and split apart.
On the first floor, Strike came to a halt. Even through the thick wool of his overcoat he could smell something else, something that the pungent industrial chemical could not mask. Sweet, putrid, rancid: the stench of decaying flesh.
He did not try either of the closed doors on the first floor. Instead, with his birthday whisky swaying stupidly in its plastic bag, he followed slowly in the footsteps of the pourer of acid, up a second flight of stained stairs from which the varnish had been burned away, the carved banisters scorched bare of their waxy shine.
The stench of decay grew stronger with every step Strike took. It reminded him of the time they stuck long sticks into the ground in Bosnia and pulled them out to sniff the ends, the one fail-safe way of finding the mass graves. He pressed his collar more tightly to his mouth as he reached the top floor, to the studio where a Victorian artist had once worked in the unchanging northern light.
Strike did not hesitate on the threshold except for the seconds it took to tug his shirt sleeve down to cover his bare hand, so that he would make no mark on the wooden door as he pushed it open. Silence but for a faint squeak of hinges, and then the desultory buzzing of flies.
He had expected death, but not this.