Involuntarily he jumped to his feet, flinging back the chair on which he sat. Deep down, he had always known that this was so, that the story of the monk was spinning out to him his
But could he have done anything differently, he asked himself, staring as if in a mirror at his sullen visage. Was the lens
The communicator bleeped. "Chief," came Feeldonet's voice, "something's happening!"
"What?"
"I don't know. We've stopped!"
"Stopped? Don't be crazy! How can we stop?" He glanced down at the lens. It was then that the first impossible transformation took place. One instant he was standing in the control gallery looking down at the lens on the floor. Then everything was reversed. The lens had become about a mile across.
"The lens!" Rodrone howled wildly, feeling his sanity slipping. "The lens!"
Then just as suddenly things were back to normal again. "Chief, don't you see?" Feeldonet's voice resumed. "The lens is in resonance with the galaxy's field. We're trying to remove it from that field—there's no telling what will happen!"
"No telling what will happen," Rodrone repeated. The words seemed to turn into solid objects and hang thickly in the air before him. NO TELLING WHAT WILL HAPPEN. NOOO TELLING WHA-A-AT WILL HAP-PEN.
NOOO TEELLING WHA-A-A-A…
Rodrone, Jermy, Pim, Krat, Feeldonet and an indistinct gathering were standing in a corridor that was apparently endless in both directions. Rodrone remembered a rushing sensation, a feeling of having scooted an impossible distance; but now everything was quiet.
"Are you in this trip?" said Jermy to Rodrone.
"Get out of my dream," groaned Krat.
"It's no dream," Rodrone told him. "This is for real."
There was no opportunity for further exchanges. The corridor alternately telescoped and elongated with bewildering speed, separating them as it did so. It seemed to be shuffling them like a pack of cards. Rodrone glimpsed his companions strung out at intervals in the distance. Then he saw them no more. He was being rushed forward. The corridor vanished. He was being impelled across an infinite space.
With that, he was plunged into a nightmare of cosmic proportions, peopled by giant intelligences that merely to sense struck terror into his soul. It was not through malevolence that they were terrifying; their dreadfulness came through their very neutrality, their indifference to the fate of any conscious being. Rodrone felt as if hot pokers of fear plunged into his being as he whipped past their presence like a fly.
But out of this nameless, formless realm there gradually emerged images. Rodrone
From this point on he realized that the image-forming capacities of the human mind were inadequate to the task of perceiving what was presented to him. His mind's interpretation was perforce partly symbolic, analogous. He continued to be carried through a vast, formless space, as if on a ride on a cosmic carousel. The makers of the lens appeared to him as vast figures like the pictures from ancient tombs of gods and heroes. Their faces were not human; yet they were not alien. They were merely detached, magnificent, evoking feelings of worship.
And they danced. A ritualistic, stiff dance. Sometimes the light that flashed from their adornments would have filled a million galaxies; sometimes they would all have fitted into the space of an atom. In this realm, it seemed, there was no such thing as relative size, no large or small. The dancing ceased, and Rodrone became aware that the beings were engaging in certain operations, as it were carrying out experiments on a vast workbench. Energies and odors drifted up from the bench, filling the universe with mind-blowing perfumes. Then one of the beings lifted up what looked like a giant horn, and tipped it. From the mouth of the horn spilled millions upon millions of inhabited worlds!
The carousel upon which Rodrone rode spun faster until everything was blurred. When he could see again, it was to perceive a realm of desolation. The stupendous experiments were over; the makers had vanished.