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Kimber leaned back behind a pillar and drew Dard in beside him.

"Lot's of traffic." The whispered comment was tinged with laughter and Dard saw that the pilot was smiling, an eager fire in his eyes.

They waited until slaves and guard were gone and then stepped boldly into the open and through the archway. They were now in a wide corridor, not too well lighted, broken at regular intervals with open doorways through which came solid blocks of illumination to trap the passerby. But Kimber went on with the assurance of one who had a perfect right to be where he was. He did not attempt to steal a look at any of the rooms-it was as if he had seen their contents a thousand times.

Dard marveled at his complete confidence. The Voice-where was it housed in this maze? He never suspected all this to lie beyond the inner court. They had neared the end of the corridor before Kimber slackened pace and began glancing from right to left. With infinite caution he tried the latch of a closed door. It gave, swinging silently open to disclose a flight of stairs leading down. Kimber's grin was wide.

"Down here! It has to be down-" his lips shaped the words.

Together they crept close to the edge of the stairway and peered over into a cavern where the best lighting arrangements of the Temple made little headway against a general gloom. The hollow went deep, it was the heart of the eminence upon which the Temple stood. And on the floor far below was the Voice-a bank of metal, faceless, tongue- less, but potent.

Two guards stood at the bottom of the staffs, but their attitudes suggested that they had no fear of being called upon to carry out any duties. And on a crowed bench before a board of dials and levers lounged a third man wearing the crimson and gold tunic of a second circle Laurel Wearer.

"The night shift," mouthed Kimber at Dard's ear, and then he sat down on the platform and proceeded to remove his boots. After a moment of hesitation Dard followed the pilot's example.

Kimber, boots swinging in one hand, started noiselessly down the staircase, hugging the wall But he did not draw the gun at his belt and Dard obediently kept his own weapon sheathed.

It was not entirely quiet in the chamber. A drowsy hum from the internals of the Voice was echoed and magnified by the height and width of the place.

Kimber took a long time-or what seemed to Dard a very long time-to descend. When they were still on the last flight of steps above the guard the pilot reached out a long arm and pulled Dard tight against him, his lips to the boy's ear.

"I'll risk using my gun on that fellow on the bench. Then we jump the other two with these-"

He gestured with the boots. Four steps-five-side by side they crept down. Kimber drew his stun gun and fired. The noiseless charge of the ray hit its mark. The man on the bench twisted, turning a horribly contorted face to them before he fell to the floor.

In that same instant Kimber hurled himself out and down. There was one startled shout as Dard went out into space too. Then the boy struck another body and they went to the floor together in a kicking clawing fury. Dodging a blow Dard brought his boots down club fashion in the other's face. He struck heavily three times before hands clutched his shoulders and wrenched him off the now limp man. Kimber, a raw and bleeding scrape over one eye, shook him out of the battle madness.

Dard's eyes focused on the pilot as the terrible anger drained out of him. They tied the limp bodies with the men's own belts and lacings before Kimber took his place on the bench before the Voice.

He pulled a much-creased sheaf of papers from the breast of his blouse and spread them out on the sloping board beneath the first rank of push buttons. Dard fidgeted thinking the pilot was taking entirely too long over that business.

But the boy had sense enough to keep quiet as Kimber rubbed his hands slowly together as if to clear them of moisture before raising his eyes to study the row upon row of buttons, each marked with a different symbol. Slowly, with a finicky touch and care, the pilot pressed one, another, a third. There was a change in the hum of the Voice, a faster rhythm; the great machine was coming to life.

Kimber picked up speed, stopping only now and again to consult his scrawled notes. His fingers were racing now. The hum deepened to a throb which, Dard feared, must certainly be noticeable in the Temple overhead.

The boy withdrew to the stairway, his attention as much on the door at the top as on Kimber. He drew his gun. As Kimber had said, the mechanism of the arm was childishly simple-one pointed it, pushed the button on the grip-easy. And he had two charges to use. Caressing the metal he looked back at the Voice.

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