The Story of Baden-Powell / 'The Wolf That Never Sleeps'

The joy of a walk in the country is heightened, I think, by following the example of Baden-Powell, and paying attention to the tracks on the ground. It would be an uncanny day for England when every man turned himself into a Sherlock Holmes, but there is no man who might not with advantage to himself practise scouting in the Essex forests or on the Surrey hills. The world is filled with life, and yet people go rambling through fields and woods without having seen anything more exciting than a couple of rabbits and a few blackbirds.

The chief joy of scouting, however, is not to be found in what Baden-Powell calls "dear, drowsy, after-lunch Old England." They who would seek it must go far from this "ripple of land," far from

The happy violets hiding from the roads, The primroses run down to, carrying gold,— The tangled hedgerows, where the cows push out Impatient horns and tolerant churning mouths 'Twixt dripping ash-boughs,—hedgerows all alive With birds and gnats and large white butterflies Which look as if the May-flower had caught life And palpitated forth upon the wind,— Hills, vales, woods, netted in a silver mist, Farms, granges, doubled up among the hills, And cattle grazing in the watered vales, And cottage-chimneys smoking from the woods, And cottage-gardens smelling everywhere, Confused with smell of orchards.

Far from our tight little island must they journey for that inspiring spell which turns the man of means into a wanderer upon the earth's surface, driving him out of glittering London, with its twinkling lights and its tinkling cabs, out of St. James's, and out of the club arm-chair—out of all this, and wins him into the vast, drear, and inhuman world, where men of our blood wage a ceaseless war with savage nature. And it is when Baden-Powell packs his frock-coat into a drawer, pops his shiny tall hat into a box, and slips exultingly into a flannel shirt that the life of a scout seems to him the infinitely best in the world. No man ever cared less for the mere ease of civilisation than Baden-Powell.

CHAPTER VIIIToC

THE FLANNEL-SHIRT LIFE

In The Story of My Heart Richard Jefferies begins his enchanting pages with the expression of that desire which every son of Adam feels at times—the longing for wild, unartificial life. "My heart," he says, "was dusty, parched for want of the rain of deep feeling; my mind arid and dry, for there is a dust which settles on the heart as well as that which falls on a ledge.... A species of thick clothing slowly grows about the mind, the pores are choked, little habits become part of existence, and by degrees the mind is inclosed in a husk." Then he goes on to tell of a hill to which he resorted at such moments of intellectual depression, and of the sensations that thrilled him as he moved up the sweet short turf. The very light of the sun, he says, was whiter and more brilliant there, and standing on the summit his jaded heart revived, and "obtained a wider horizon of feeling." Thoreau, too, went to the woods because he wanted to live deliberately, and front only the essential facts of life. "I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms."

This longing for a return to nature in minds less imaginative than Thoreau's and Jefferies' results in globe-trotting or colonisation—according to circumstances,—it wakes the gipsy in our blood, be we gentle or simple, and sends us wandering over the waste places of the earth in quest of glory, adventure, or a gold mine—anything so long as it entails wandering. When it stirs in the mind of the disciplined soldier it turns him into a scout, and drives him out of the orderly-room, out of the barrack square, to wander in Himalayan passes and ride across the deserts of Africa. Baden-Powell is a nomad. The smart cavalry officer who can play any musical instrument, draw amusing pictures, tell delightfully droll stories, sing a good song, stage-manage theatricals—do everything, in short, that qualifies a man to take his ease in country houses, loves more than any other form of existence the loneliness and the wildness of the scout's. Often, he tells us, when he is about the serious business of handing teacups in London drawing-rooms, his mind flies off to some African waste, to some lonely Indian hill, and straightway he longs with all his soul to fling off the trappings of civilised society, and be back again with nature, back again in the dear old flannel-shirt life, living hard, with his life in his hand.