When I look back at those days I have no doubts that Providence guided us, not only across those snow fields, but across the storm-white sea that separated Elephant Island from our landing-place on South Georgia. I know that during that long and racking march of thirty-six hours over the unnamed mountains and glaciers of South Georgia it seemed to me often that we were four, not three. I said nothing to my companions on the point, but afterwards Worsley said to me, "Boss, I had a curious feeling on the march that there was another person with us." Crean confessed the same idea. One feels "the dearth of human words, the roughness of mortal speech" in trying to describe things intangible, but a record of our journeys would be incomplete without a reference to a subject very near to our hearts.
Without crediting it precisely, T. S. Eliot alludes to the phenomenon in a line of
When a book reviewer criticizes a travel book for being negative, I always think of Smollett, who forcibly spoke his mind, as in this observation of the French character:
If a Frenchman is admitted into your family, and distinguished by repeated marks of your friendship and regard, the first return he makes for your civilities is to make love to your wife, if she is handsome; if not, to your sister, or daughter, or niece. If he suffers a repulse from your wife, or attempts in vain to debauch your sister, or your daughter, or your niece, he will, rather than not play the traitor with his gallantry, make his addresses to your grandmother; and ten to one, but in one shape or another, he will find means to ruin the peace of a family, in which he has been so kindly entertained.
—
(1766)
This, like other great travel books, is not a travel book in any conventional sense. Subtitled "A Triumph," it is the record of Lawrence's involvement in the Arab revolt against the Ottoman Turks. But in the tradition of Doughty, whom Lawrence idolized, it describes the moods of the desert, the life of the Bedouin, and the subtleties of Islam, as well as military tactics. Lawrence's own contradictory character is a subject, and he is unsparing with himself.
"I was very conscious of the bundled powers and entities within me; it was their character which hid. There was my craving to be liked—so strong and nervous that never could I open myself friendly to another ... There was a craving to be famous; and a horror of being known to like being known. Contempt for my passion for distinction made me refuse every offered honor." In this same section ("Myself") he adds, "I liked the things underneath me and took my pleasures and adventures downward. There seemed a certainty in degradation, a final safety. Man could rise to any height, but there was an animal level beneath which he could not fall."
[The condemned man] immediately kneeled down, below the knife. His neck fitting into a hole, made for the purpose, in a cross plank, was shut down, by another plank above; exactly like the pillory. Immediately below him was a leathern bag. And into it his head rolled instantly.