The Time Traveler's Almanac

“Ravel. ‘Pavane for a Dead Princess’,” Ned said. “Come on, dear, you’re not done yet. One and two and—”

She held her breath and moved her right leg. It did move, the foot dragging, and she leaned heavily on Ned because she didn’t dare put any weight on it. Then the left foot. She whimpered a little. Ned was right behind her, stepping with her.

The pavane had the simplest steps she could think of. At its most basic, it was little more than walking very slowly – perfect for a crippled dancer. It was also one of the most graceful, stately, elegant dances ever invented. Not this time. She couldn’t trust her legs. She dragged them forward and hoped they went where they needed to be. Ned wasn’t so much dancing with her as lurching, ensuring she stayed upright.

There was a kind of power, even in this: bodies moving in desperation.

She tried to keep humming, but her voice jerked, pain-filled, at every step. They hummed together, his voice steadying her as his body did.

Then came a turn. She attempted it – a dance was a dance, after all. Put the left foot a little to the side, step out—

Her leg collapsed. She cried out, cutting the sound off mid-breath. Ned caught her around the waist and leaned her against the shelving. This gave her something to sit on, a little support.

Without missing a beat, he took her hand and stepped a half-circle around her. He held her hand lightly, elevated somewhat, and tucked his other hand behind his back. Perfect form.

“This just doesn’t feel right if I’m not wearing a ruff,” he said, donning a pompous, aristocratic accent.

Hiccupping around stifled tears, she giggled. “But I like being able to see your neck. It’s a handsome neck.”

“Right, onto the age of disco then.”

The banging on the door was loud, insistent, like they’d started using a battering ram, and provided something of a beat. The barricade began to tumble.

“And so we finish.” He bowed deeply.

She started to dip into a curtsey – just the tiniest of curtsies – but Ned caught her and lifted her.

“I think we’re ready.”

She narrowed her eyes and looked a little bit sideways.

Space and time made patterns, the architecture of the universe, and the lines crossed everywhere, cutting through the very air. Sometimes, someone had a talent that let them see the lines and use them.

“There,” Ned said. “That one. A couple of disheveled Edwardians won’t look so out of place there. Do you see it?”

“Yes,” she said, relieved. A glowing line cut before them, and if they stepped a little bit sideways—

She put out her hand and opened the door so they could step through together.

*   *   *

Lady Petulant’s diamond paid for reconstructive surgery at the best unregistered clinic in Tokyo 2028. Madeline walked out the door and into the alley, where Ned was waiting for her. Laughing, she jumped at him and swung him around in a couple of steps of a haphazard polka.

“Glad to see you’re feeling better,” he said. And there was that smile again.

“Polycarbon filament tissue replacement. I have the strongest tendons in the world now.”

They walked out to the street – searching the crowd of pedestrians, always looking over their shoulders.

“Where would you like to go?” he said.

“I don’t know. It’s not so easy to pick, now that we’re fugitives. Those guys could be anywhere.”

“But we have lots of places to hide. We just have to keep moving.”

They walked for a time along a chaotic street, nothing like a ballroom, the noises nothing like music. The Transit Authority people knew they had to dance; if they were really going to hide, it would be in places like this, where dancing was next to impossible.

But they couldn’t do that, could they?

Finally, Ned said, “We could go watch Rome burn. And fiddle.”

“Hm. I’d like to find a door to the Glen Island Casino. 1939.”

“Glenn Miller played there, didn’t he?”

“Yes.”

“We could find one, I think.”

“If we have to keep moving anyway, we’ll hit on it eventually.”

He took her hand, pulled her close and pressed his other hand against the small of her back. Ignoring the tuneless crowd, he danced with her.

“Lead on, my dear.”

THE MASK OF THE REX

Richard Bowes

Richard Bowes has won two World Fantasy awards, an International Horror Guild Award, and a Million Writers Award. He has published six novels, four short-story collections and seventy stories. His most recent novel Dust Devil on a Quiet Street just appeared from Lethe Press, which also republished his Lambda Award–winning 1999 novel Minions of the Moon. His most recent collections are The Queen, the Cambion, and Seven Others from Aqueduct Press and If Angels Fight from Fairwood Press, both in 2013. This story was first published in The Magazine of Fantasy & Science Fiction in 2002.

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