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Unlike the British government, the Tabula weren’t encumbered by regulations or civil servants. Their organization was relatively small and well financed. Their computer center in London could hack into any surveillance camera system and sort through the images with a powerful scanning program. Fortunately, there were so many surveillance cameras in North America and Europe that the Tabula were overwhelmed with data. Even if they got an exact match to one of their stored images, they couldn’t respond fast enough to arrive at a particular train station or hotel lobby. Never stop, Thorn had told her. They can’t catch you if you keep moving.

The danger came from any habitual action that showed a Harlequin taking a daily, predictable route to some location. The facial scanner would eventually discover the pattern and then the Tabula could set up their ambush. Thorn had always been wary of situations he called “channels” or “box canyons.” A channel was when you had to travel one particular way and the authorities were watching. Box canyons were channels that led to a place with no way out-such as an airplane or an immigration interrogation room. The Tabula had the advantage of money and technology. The Harlequins had survived because of courage and their ability to cultivate randomness.

When Maya reached London, she took the Underground to the Highbury and Islington station, but didn’t return to her flat. Instead she went up the road to a takeout restaurant called Hurry Curry. She gave the delivery boy an exterior door key and asked him to wait two hours, then place a chicken dinner inside her entryway. As it began to get dark, she climbed onto the roof of the Highbury Barn, a pub across the street from her building. Concealed behind an air vent, she watched people stopping to buy wine at the off-license shop on the ground floor of her building. Citizens hurried home carrying briefcases and shopping bags. A white delivery van was parked near the entrance to her flat, but no one was in the front seat.

The Indian boy from Hurry Curry appeared at exactly seven thirty. The moment he unlocked the door that led upstairs to her flat, two men jumped out of the white van and shoved him into the entryway. Perhaps they’d kill the boy or maybe they’d just ask questions and let him live. Maya didn’t really care. She was sliding back into Harlequin mentality: no compassion, no attachments, no mercy.

She spent the night at a flat in East London that her father had purchased many years ago. Her mother had lived there, concealed within the East Asian community, until she died from a heart attack when Maya was fourteen. The three-room flat was on the top floor of a shabby building just off Brick Lane. A Bengali travel agency was on the ground floor and some of the men who worked there would arrange work permits and identity cards for a price.

East London had always been outside the walls of the city, a convenient place to do or buy something illegal. For hundreds of years it had been one of the worst slums in the world, the hunting ground for Jack the Ripper. Now crowds of American tourists were led around on nightly Ripper walks, the Old Truman Brewery had become an outdoor pub, and the glass towers of the Bishop’s Gate office complex thrust itself into the heart of the old neighborhood.

What used to be a warren of dark passageways was now dotted with art galleries and trendy restaurants, but if you knew where to look you could still find a wide range of products that helped you avoid the scrutiny of the Vast Machine. Every weekend peddlers appeared on upper Brick Lane near Cheshire Street. The peddlers sold stiletto knives and brass knuckles for street fighting, pirated videos, and SIM chips for cell phones. For a few extra pounds, they would activate the chip with a credit card attached to a shell corporation. Although the authorities had the technology to listen to phone calls, they couldn’t trace them back to cell phone owners. The Vast Machine could easily monitor citizens with permanent addresses and bank accounts. Harlequins living off the Grid used an endless supply of disposable phones and identity cards. Almost everything except their swords could be used a few times and tossed away like a candy wrapper.

Maya called her employer at the design studio and explained that her father had cancer and she was going to have to quit work to take care of him. Ned Clark, one of the photographers who worked for the studio, gave her the name of a homeopathic doctor, and then asked if she had tax problems.

“No. Why do you ask?”

“A man from Inland Revenue was in the office asking about you. He talked to the people in accounting and requested information about your tax payments, phone numbers, and addresses.”

“And they told him?”

“Well, of course. He’s from the government.” Clark lowered his voice. “If you’ve got a place in Switzerland, I’d go there right now. To hell with the bastards. Who wants to pay taxes anyway?”

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