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Max hadn’t slept well. He’d kept sensing strange, vaguely menacing shapes darting at the edges of the fire’s light. His skin was rubbed raw around his waist, which had shrunk somewhat over the past few days. He took a swig from his canteen and winced at the stale, ironlike taste of the water. He fingered his clothes, which he’d hung up last night. Dry enough.

Newton got up soon afterward. They tugged on their pants and socks and boots in silence. They squinted across the sea into the new sun. The dark hulls of those strange ships dotted the water toward North Point.

“We have to get Eef,” Max said.

“He may have gone back to camp,” Newt said. “Y’think?”

“We’d better check.”

They retraced their route, passing through a glade where the light hung in brilliant icicles and thousands of green silkworms hung from the tree branches.

“Is this what they make silk shirts out of?” Newt said. “How do they even stay together? It’d be like trying to sew with spider’s thread.”

The day was bright and warm, the air shot with dazzling light. A deep-seated fear picked along the edges of their thoughts. They were frightened, but that emotion rested with easy familiarity in their chests by now.

They located yesterday’s footsteps in the grass and followed them into the spruces and found Ephraim on the ground surrounded by spiky smears of blood.

“Eef, what…?” Max said, unable to understand what he was seeing.

When the carnival came to Charlottetown last year, Max and Ephraim had gone. Max’s father had driven them and bought ride tickets for both boys—a nicety Ephraim’s mother accepted with stoic gratefulness. They rode the Zipper and had their spines delightfully rearranged on the Comet, an ancient wooden roller coaster operated by a carnie with a spiderweb tattooed on his forehead—a tiny black spider descended to the tip of his nose on a strand so blue, so pale, you might mistake it for a vein. After gorging on waffle cones and funnel cake, they’d come across a freak show operating out of a small blue-and-white-striped tent at the back of the fairground. Three tickets apiece granted them entry to a cramped, dark space smelling of horse manure and another scent beyond naming. The freaks took the stage to the slightly awed, mainly disgusted oohs of the hick crowd.

Freaks, Max remembered thinking. But why would they let themselves be called that? They weren’t that freakish looking. Tattooed and pierced, sure, but nothing that’d raise your eyebrow if you passed them on the street. But what the performers did to their bodies was truly freakish. One guy guided a power drill with a six-inch bit deep into his septum, so deep the tip must’ve tickled the brainstem, then skewered a metal hook—a meat hook, same as plucked hens hung in the butcher’s window—through the hole, drawing the hook out through his mouth. Another guy chewed lightbulbs and stuck long steel needles through his arms, skewering himself like a bug on a pin.

Max was horrified—which, he assumed, was the sought-for reaction. Ephraim, however, was mesmerized. Max had seen that look before; Ephraim was the daredevil, after all. The boy who’d jumped his bike off the seawall, mistiming it badly and fracturing his leg. Max had sat with him in the ER afterward; Ephraim’s leg hung at a crazy cockeyed angle—it hurt Max’s eyes to look at it. Ephraim, however, was fascinated. Check it out, Max, he kept saying, a weird smile on his face. Check it… owwwt. As soon as the cast came off, Ephraim was back at the seawall for another try. His mom must’ve had a constant conniption fit, but Eef had always been that way.

Max figured the crazy stunts must’ve bled away Eef’s rage—the theory of displacement, like he’d seen demonstrated in science class. Problem was, God gave you one body. What you did with it was your own business, but the truth as Max saw it was this: You throw your body at the world. The world hits back. The world wins. So you had to take great care of what God gave you. Eef had never gotten that message.

When they rounded into the sunlit clearing, Max initially thought Ephraim had been murdered.

Somebody or something had found him here all alone and set upon him in a fury. But then he saw the wounds—hacks and gouges, not stabs—and the Swiss Army knife still clutched in Ephraim’s hands. He thought: How could anyone do this to himself? But he knew Ephraim very well. He knew him better than anyone else on earth, maybe. So he knew.

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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

Шарлотта Линк

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