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Shelley had been planning on killing them, anyway. He wasn’t sure it’d be much fun at this point, although it might provide the same fleeting thrill he’d experienced while drowning Kent: a fizzy, sudsy bath-bubble feeling in his veins. But now he’d kill them as a simple matter of principle. They had harmed him, which meant—inadvertently or otherwise—they had harmed his babies. And a father always defended his children.

Shelley exited the cave. The night enveloped him. He was part of it, dark just like it.

EAT EAT EAT

Oh my, weren’t they so needy? So hungry. They asked so much of him, as all children must… but Shelley was only too happy to give.

He came upon a diseased elm. Its trunk was pocked with tiny bore holes. He tore away a chunk of bark—his strength was immense!—and clawed inside the rotted tree. When he withdrew it, his hand was teeming with woodlice. He crunched them into paste. They fidgeted on his tongue and tickled his throat when he swallowed. He giggled hoarsely while sucking the last few lice off his fingers.

GOOD GOOD EAT MORE MORE MORE

Shelley caught his reflection in a pool of moonlight-sheened water. He was horribly wrinkled. It looked as if spiders with legs of thin steel wire had battened onto his flesh, curling and tightening, trenching deep lines into his face.

His stomach was a swollen gourd. It bulged through his shirt and over the band of his trousers. Its pale circumference was strung with blue veins and sloshed with a dangerous, exciting weight…

…in the dank wastes of his brain—his undermind, you could say—a species of mute fear twined into his thoughts. This isn’t right, a voice said. You’re being eaten alive.

…a wave of acidic warmth washed through those thoughts, burning them away.

Oh, they asked so much of him! It was tiring, feeding all those hungry mouths. And the mouths just beget more mouths and more mouths and more and more and—

Shelley slid down the incline to the campsite. Firelight crept around the cabin’s shattered angles. He snuck around the far side and surveyed the fire pit. Max was sleeping. He imagined grabbing his hair and jamming him face-first into the white-hot coals. He pictured the silly boy’s face melting like a latex Halloween mask.

The fat one, Newton, was staring right at him.

His heart jogged in his chest: ba-dump. Newton sat on the far side of the fire. The flames played over his eyes, which seemed to be staring directly at him.

EAT EAT EAT EAT

In a moment, he thought. First I have to kill them. Then I’ll be alone. Then I can give birth in peace. Then we can all play.

But how would he do it? He’d lost his knife. Was Newton really looking at him?

“I see you, Shelley.”

Newton pulled a knife out of his pocket. His knife. He unfolded it carefully and stabbed the tip into a log. The knife quivered in the wood. An invitation?

“Go away. Get out of here. Now,” Newton whispered.

A cold, slippery eel ghosted through the ventricles of Shelley’s heart, cinching itself tight. He retreated like a groveling animal. He wanted them dead so badly but… but… but he was so hungry.

Shelley’s stomach swayed as he tripped sideways, whimpering softly as his belly brushed the edge of the cabin—for a moment he felt it might detach and burst like a water balloon on the forest floor. Then he’d lose everything. His children. His precious babies.

SHELLEY WAS in the forest again. Night folded over him. The hunger was hellish, unspeakable, but one must suffer for what one loves.

He shambled through the woods, eating whatever. It came to him in flashes. In one moment, he was hunched under a log devouring eggs, maybe—termite eggs whose sacs burst between his teeth like albino jelly beans…

…next he was along the shoreline ankle-deep in the freezing surf, gorging himself on the decayed carapace of some creature that had once crawled in the sea. So tasty. It slipped between his numbed fingers and he collapsed into the surf, squealing like a piglet, clutching at his stinking prize…

…later, much later, Shelley lay in the darkness with the cool trickle of the rock. He was screaming or maybe crying, he couldn’t tell. There was a watery echo down there that did funny things to his voice.

None of that really mattered anymore, anyway. His home, his foolish parents, his teachers, the many jars buried in the backyard full of his playthings, all in various states of decomposition. That was his old life; his silly, forgettable life.

He was going to be a great daddy.

The best.

________
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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

Шарлотта Линк

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