'Our deal is over.' That's what reluctant author Anthony Horowitz tells ex-detective Daniel Hawthorne in an awkward meeting. The truth is that Anthony has other things on his mind.His new play, Mindgame, is about to open in London's Vaudeville theatre. Not surprisingly Hawthorne declines a ticket.On opening night, Sunday Times critic Harriet Throsby gives the play a savage review, focusing particularly on the writing.The next morning she is found dead, stabbed in the heart with an ornamental dagger which, it turns out, belongs to Anthony and which has his finger prints all over it.Anthony is arrested, charged with Throsby's murder, thrown into prison and interrogated. Alone and increasingly desperate, he realises only one man can help him.But will Hawthorne take his call?
Детективы18+The Twist of a Knife
(Hawthorne and Horowitz Mystery #4)
by Anthony Horowitz
About the Author
Bestselling author Anthony Horowitz has written two highly acclaimed Sherlock Holmes novels,
He is also the author of the teen spy Alex Rider series, and responsible for creating and writing some of the UK’s most loved and successful TV series, including
In January 2022 he was awarded a CBE for his services to literature.
Also by Anthony Horowitz
1
Separate Ways
‘I’m sorry, Hawthorne. But the answer’s no. Our deal is over.’
I hated arguing with Hawthorne. It wasn’t just that I invariably lost. He managed to make me feel bad about even trying to win. Those murky brown eyes of his could be quite ferocious when he was on the attack, but the moment I challenged him they would suddenly become hurt and defensive and I would find myself backtracking and apologising even though I was quite sure I was right. I’ve said this before, but there was something childlike about his moods. I never really knew where I was with him, which made it almost impossible to write about him and that, as it happened, was exactly what we were discussing now.
I had followed Hawthorne on three investigations and these had led to three books. The first had been published. The second was being read by my agent (although she’d had it for two and a half weeks and I hadn’t heard a word). I would start writing the third at the end of the year and I was confident it wasn’t going to be difficult because of course I’d already lived through it and knew what happened in the end. I had agreed to a three-book contract and as far as I was concerned, three was enough.
I hadn’t seen Hawthorne for a while. From the amount of crime fiction you’ll find in bookshops and on TV, you’d think someone is being murdered every hour of the day, but fortunately real life isn’t like that and several months had passed since we had got back from the island of Alderney, leaving just three bodies behind. I had no idea what he’d been up to in that time and, to be honest, he hadn’t been very much in my thoughts.
And then, quite suddenly, there he was, on the telephone, inviting me round to his London flat – and that in itself was remarkable because usually if I wanted to get in, I had to ring someone else’s doorbell and pretend to be from Ocado. River Court was a low-rise block of flats built in the seventies close to Blackfriars Bridge, and Hawthorne had a space on the top floor. Space was the operative word. There was almost no furniture, no pictures on the walls, no possessions of any sort apart from the Airfix models he liked to assemble and the computer equipment he used to hack into the police database, helped by the teenager who lived one floor below.
This was something that had shocked me when I had first stumbled into Kevin Chakraborty’s bedroom and discovered him cheerfully displaying a private photograph of me and my son as his screensaver. Kevin admitted he had stolen it from my phone and then went on to explain that he had also helped Hawthorne break into the automatic number-plate recognition system used by the police in Hampshire. I hadn’t remonstrated with him, partly because he had provided us with useful information, but also because, at the end of the day, how do you pick a fight with a teenager who’s in a wheelchair? Nor had I ever mentioned it to Hawthorne. After all, this was a man who had been thrown out of the police force for pushing a known paedophile down a flight of stairs. He might have a moral compass, but he was the one who would decide which way it pointed.