Then a short pause.
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Münster pressed fast forward, then pressed play again.
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Münster switched off again. Looked at the stacks of cassettes on the shelf and rested his head on his right hand. What on earth am I doing? he thought.
He wound fast forward, and listened for another minute. Irene was talking about the kind of paper she used to make covers for her school books, and what they’d had for school dinners.
He rewound the cassette and put it back into the case. Leaned back on the chair and looked out of the window. He suddenly shuddered as it dawned on him that what he had just listened to was a conversation taking place – when exactly? At the very beginning of the 1960s, he guessed. It was recorded less than a year ago, but in fact Irene Leverkuhn had been a long way back in her childhood – somewhere in that drab little house in Pampas that he had been looking at only a few weeks ago. That was pretty remarkable, for goodness’ sake.
He began to respect this therapist and what she was doing. He hadn’t managed to get a word of sense out of the woman who had sat at a desk painting, but here she was telling Clara Vermieten all kinds of things.
I must reassess psychoanalysis, Münster thought. It’s high time.
He looked at the clock and wondered how best to continue. Just listening to cassettes at random, one after the other, didn’t seem especially efficient, no matter how fascinating it might be. He stood up and examined the dates written on the cassette cases.
The first one was recorded just over a year ago, it seemed. On 23/11 1996. He took down the stack furthest to the right, comprising only four cassettes. The bottom one was dated 16/10, the top one 30/10.
He went back to the desk, picked up the telephone and after various complications had Hedda deBuuijs on the other end of the line.