“But you got one thing wrong. Yeah, Burdick came to my dad and paid him to get you off Tarr’s ass. Only, the money — and the idea for the crash — came from somebody else. His name was Hale. Charles Hale, I think.”
Jesus.
So, the device that took down the last crane was one of Tarr’s IEDs.
Pulaski’s homicide murder case, seemingly unrelated, brought them full circle back to the Watchmaker.
There was noise from the hallway; uniformed officers had arrived to take Baskov to Central Booking and Aaron Stahl to the detention wing of Bellevue city hospital.
After they’d carted away the prisoners, Pulaski called Lon Sellitto to tell him how it had gone. When he disconnected he and Sloane walked down the corridor toward the exit. She asked, “How’d you put it all together, Ron?”
He told her about the hit job of a report Burdick had submitted to the Officer Involved Accident board. And Lyle Spencer’s comment about how much effort had gone into sidelining Pulaski.
“Then I was thinking about the call I got just before the intersection? From a tech in Crime Scene? It was a problem, chain of custody, the evidence from my scene. I don’t make mistakes involving chain of custody. Never. I talked to the clerk today. Burdick’d forced her to make the call just so he could claim I was distracted.”
Sloane said, “You’ve got Burdick. But the question is, you think you can turn him? To give up Tarr.”
Pulaski considered this for a moment. “Depends,” he answered.
“On what?”
“On just how much of a weasel he really is.”
III
Obit
73
“I think we’ve got some pix,” Pulaski said. “Her.”
Rhyme understood: Ron meant the Watchmaker’s associate.
Woman X.
The two men and Amelia Sachs were in the parlor. Pulaski had been ardently tracking the woman, who’d been fast with the tranquilizer gun and had either constructed or commissioned Hale’s magic induction device.
“I want her. Nothing personal.” He’d said this offhandedly.
Which made it
“I was scrubbing through video around Hamilton Court and found a half-second clip of the two of them together. Hale and the woman. I pulled a capture. It wasn’t great, but I enhanced it with Stable Diffusion. You know it?”
“No.”
“It’s an AI — artificial intelligence text-to-image art generator. I loaded in the capture and kept making modifications — like witness artists do. Then I sent the JPG to Domain Awareness to start matching. I just got a call from them. They had some hits.” He sat at the keyboard and typed. Seconds later they were on a video call — like Zoom, but with higher security — to the control room of the Domain Awareness operation.
Officer Bobby Hancock was a burly man with a beard not forbidden by, but uncharacteristic in, the NYPD.
“Ron.”
“Bobby. Go ahead.”
“Is that Lincoln Rhyme?”
The criminalist offered an impatient punctuation-free: “Yes it is go ahead Officer.”
“Sure. From the image Ron gave us we did a citywide profile and found the subject. That Stable Diffusion thing? We talked to the brass and’re going to be opening an AI-generative operation. Really smart.”
Rhyme and Sachs shared a glance. He again felt a bit of pride for his protégé. He could see Sachs did too.
“Twice we placed her in the company of Hale. And we had a solo of her, West Side — Midtown. Here they are.”
The images came onto the screen. Not high-def, but clear enough. She was in her early thirties, Rhyme guessed. Pretty in a wholesome, not runway model way. Slim, maybe athletic, but her clothes — jeans and a sport team sweatshirt — were concealing. Her blond hair was in a complicated braid.