Читаем The Watchmaker’s Hand полностью

Joining him, Pulaski identified himself.

Sanchez said, “Yeah, Lon said you’d be running the scene. You work with that Lincoln Rhyme.”

“I do.”

“I gotta meet him some day. Okay. Let me show you what we got.” They walked under the yellow tape and ducked through a chain-link gate. Soon they were at the body. Sanchez clicked his tongue. “Pro. Three rounds. Double chest, one face.” He shrugged. “Don’t know why he was down here. Don’t even know what he was working on.”

“Some minor OC stuff. Mostly the DSE case.”

“What’s DSE?”

“Department of Structures and Engineering. Perp stole charts, diagrams, maps, construction permit requests, inspection schedules. Stuff like that.”

“Why?” He looked as perplexed as anyone would be at a theft that didn’t involve money, diamonds, trade secrets or the like.

“No idea.”

“You have an unsub?”

“Not yet. But...”

Meaning that Gilligan’s death might get them closer to one.

Sanchez scoffed. “You steal a bunch of paperwork, then triple tap the gold shield who drew the case? That’s a septic system of bad.”

Pulaski looked around. “Funny place for a hit. Not the street. And how’d the shooter get to him?”

Rhyme had taught him that there is no single crime scene.

The body — if we’re talking homicide — is the hub of the wheel. The unsub had to get there and then he had to leave. Those spokes’re as important as where the deed was done.

The body was in almost the direct center of a bulldozer-cleared field, beside a pit that would have been the basement of an old tenement, of which there were plenty in this neighborhood. Pulaski had checked on the property and there were no plans to do anything with it. No permit requests — not since 1978. And the developer never finished the paperwork.

The perp could have come at him from the gate, a half-dozen buildings across the field, a pathway that led to the next east-west street a block away. It was barred with chain-link, but at six feet high that fence would stop only the most out-of-shape killers.

“That’s his car?”

A white Lexus sat at the curb.

“Yeah.”

“ME?”

“Released him. You’re good.”

“Canvassing?”

“Got a half dozen on it.”

“Reports of shots?”

“No.”

Not unusual. Only a fraction of those within hearing distance actually called a report in. Why volunteer to report a person who was, obviously, armed with a deadly weapon?

“Nothing from ShotSpotter either.”

This, however, was odd. The gunshot detection system the NYPD used could triangulate on the sound of a gunshot, give the approximate location and tell if the shooter was in motion — sometimes even determine which direction he was headed in. The system was active in Manhattan, though it didn’t cover all neighborhoods with equal accuracy.

Pulaski reminded himself: Move. Fast.

He walked to the ECTs, a young pair, two men, with the short hair favored by techs of the male variety, in the belief there was less of a chance of shedding one of their own strands at a scene.

The latter seemed pleased to be working a case with Pulaski. His eyes radiated — what was it? Admiration?

Probably. And the source was because he worked with Lincoln Rhyme.

Here he was on their case, Lincoln’s protégé.

And successor?

Pulaski’s gut did a flip with this thought.

He put the subject aside and nodded his acknowledgment. “Let’s move.”

“Yessir.”

“I’m going to run the car and the corpse. You two take that path to the fence — and comb the fence real good. And then those two buildings there. Ground floors have views of the site.” They would have been perfect spots from which to stalk Gilligan.

Doing whatever it was he was doing.

The two donned their space suits and set to work, while Pulaski too garbed up. He had just started toward the corpse when Sanchez called, “Uh-oh.”

The detective nodded toward a shiny black sedan that had just parked nearby, the occupant of the backseat now climbing out. He was in his late fifties, in a nice-fitting charcoal suit. Silver-haired. A long, stern face. He looked over the crime scene and then scanned the press — a half-dozen reporters and camerapeople behind yet another line, some distance from the scene.

Sanchez said, “Everett Burdick. Dep inspector, One PP. You know him?”

“No.”

“We call him Anchor Amber.”

Pulaski chuckled. Cops’ irreverence was legendary. Amber Andrews was a popular newscaster for the local affiliate of a national network. Her broadcasts were always far more about her than the story. Ah, so Burdick was an airtime hound — the sort who ran unnecessary press conferences displaying stacks of cash and packages of drugs seized in raids.

Sanchez added, “Ego and talent, you know. They’re not — what do they say? — mutually exclusive. He’s not a bad cop. Was good on the street, and he’s good at One PP. He just has to let everybody know it.”

Burdick strode up to Sanchez, ignoring Pulaski.

Перейти на страницу:

Похожие книги

Ночной Охотник
Ночной Охотник

Летний вечер. Невыносимая жара. Следователя Эрику Фостер вызывают на место преступления. Молодой врач найден задушенным в собственной постели. Его запястья связаны, на голову надет пластиковый пакет, мертвые глаза вытаращены от боли и ужаса.Несколькими днями позже обнаружен еще один труп… Эрика и ее команда приходят к выводу, что за преступлениями стоит педантичный серийный убийца, который долго выслеживает своих жертв, выбирая подходящий момент для нападения. Все убитые – холостые мужчины, которые вели очень замкнутую жизнь. Какие тайны окутывают их прошлое? И что связывает их с убийцей?Эрика готова сделать все что угодно, чтобы остановить Ночного Охотника, прежде чем появятся новые жертвы,□– даже поставить под удар свою карьеру. Но Охотник следит не только за намеченными жертвами… Жизнь Эрики тоже под угрозой.

Роберт Брындза

Триллер
Агата и тьма
Агата и тьма

Неожиданный великолепный подарок для поклонников Агаты Кристи. Детектив с личным участием великой писательницы. Автор не только полностью погружает читателя в мир эпохи, но и создает тонкий правдивый портрет королевы детектива.Днем она больничная аптекарша миссис Маллоуэн, а после работы – знаменитая Агата Кристи. Вот-вот состоится громкая премьера спектакля по ее «Десяти негритятам» – в Лондоне 1942 года, под беспощадными бомбежками. И именно в эти дни совершает свои преступления жестокий убийца женщин, которого сравнивают с самим Джеком-Потрошителем. Друг Агаты, отец современной криминалистики Бернард Спилсбери, понимает, что без создательницы Эркюля Пуаро и мисс Марпл в этом деле не обойтись…Макс Аллан Коллинз – американская суперзвезда криминального жанра. Создатель «Проклятого пути», по которому был снят культовый фильм с Томом Хэнксом, Полом Ньюманом, Джудом Лоу и Дэниелом Крэйгом. Новеллизатор успешнейших сериалов «C.S.I.: Место преступления», «Кости», «Темный ангел» и «Мыслить как преступник».

Макс Аллан Коллинз

Детективы / Триллер / Прочие Детективы