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The Way of Kings

The first book in The Stormlight Archive seriesThe Way of Kings introduces the three protagonists who will be our windows on the strange and wondrous world of Roshar and the drama about to unfold there:* Dalinar, the assassinated king's brother and uncle of the new one, is an old soldier who is weary of fighting. He is plagued by dreams of ancient times and legendary wars, visions that may force him into a new role he could never have imagined.* Kaladin, a highborn young man who has been brought low, indeed to the most miserable level of military slavery, and like Ben Hur must suffer and struggle to survive and rise again.* Shallan, a naïve but brave and brilliant young woman who will do anything to save her impoverished noble house from ruin.These are people we will come to know deeply and take to our hearts. But just as important to The Way of Kings is a fourth key ‘character’, the unique world of Roshar itself, a richly imagined setting as real as science fiction's Dune, as unforgettable as epic fantasy's Middle Earth. Through all the volumes of The Stormlight Archive, Brandon Sanderson will make Roshar a realm we are eager to visit.What Robert Jordan's The Wheel of Time has been to the fantasy genre for the last two decades, The Stormlight Archive will be to the next, and The Way of Kings is where it all begins.

Brandon Sanderson

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<empty-line></empty-line><p>Brandon Sanderson</p><empty-line></empty-line><p>THE WAY OF KINGS</p><empty-line></empty-line><p>2010</p>

For Emily,

Who is too patient

Too kindly

And too wonderful

For words.

But I try anyway.

<p>Acknowledgments</p>

I finished the first draft of The Way of Kings in 2003, but I started working on pieces of the book back in the late ’90s. Threads of this novel go back even further in my brain. No book of mine has spent longer simmering; I’ve spent more than a decade building this novel. And so it should be no surprise that a lot of people have helped me with it. It’s going to be impossible to mention them all; my memory simply isn’t that good. However, there are some major players that I would like to thank most deeply.

First comes my wife, Emily, to whom this book is dedicated. She gave greatly of herself to see the novel come to pass. That included not only reading and giving advice on the manuscript, but giving up her husband during long stretches of writing time. If you readers get a chance to meet her, some thanks might be in order. (She likes chocolate.)

As always, my excellent editor and agent – Moshe Feder and Joshua Bilmes – worked quite hard on this novel. Moshe, by special note, doesn’t get paid more when his authors turn in 400k-word monstrosities. But he edited the novel without a word of complaint; his help was invaluable in turning it into the novel you now hold. He also got F. Paul Wilson to check over the medical scenes, to their great benefit.

Special thanks also go to Harriet McDougal, one of the greatest editors of our time, who gave us a read and line edit on this novel out of the goodness of her heart. Wheel of Time fans will know her as the person who discovered, edited, and then married Robert Jordan. She doesn’t do much editing these days outside of the Wheel of Time, and so I feel very honored and humbled to have her input and help here. Alan Romanczuk, working with her, should also be thanked for facilitating this edit.

At Tor Books, Paul Stevens has been a huge help. He’s been our in-house liaison for my books, and he’s done an amazing job. Moshe and I are lucky to have his aid. Likewise, Irene Gallo – the art director – has been wonderfully helpful and patient in dealing with an intrusive author who wanted to do some crazy things with the artwork in his book. Many thanks to Irene, Justin Golenbock, Greg Collins, Karl Gold, Nathan Weaver, Heather Saunders, Meryl Gross, and the entire team at Tor Books. Dot Lin, who was my publicist up until this book’s release (and who is now working to put a few extra letters after her name), was a wonderful help not just in publicity, but in giving me advice and a cheering section over in New York. Thank you all.

And speaking of artwork, you may notice that the interior art for this book is far more extensive than what you normally find in an epic fantasy. This is due to the extraordinary efforts of Greg Call, Isaac Stewart, and Ben McSweeney. They worked hard, drafting artwork numerous times to get things right. Ben’s work on Shallan’s sketchbook pages is simply beautiful, a melding of my best imaginings and his artistic interpretations. Isaac, who also did the interior artwork for the Mistborn novels, went far above and beyond what should reasonably have been expected of him. Late nights and demanding deadlines were the norm for this novel. He is to be commended. (The chapter icons, maps, colored endpages, and Navani notebook pages came from him, if you are wondering.)

As always, my writing group has been an amazing help. The members of it are joined by a few alpha and beta readers. In no particular order, these are: Karen Ahlstrom, Geoff and Rachel Biesinger, Ethan Skarstedt, Nathan Hatfield, Dan Wells, Kaylynn ZoBell, Alan and Jeanette Layton, Janci Olds, Kristina Kugler, Steve Diamond, Brian Delambre, Jason Denzel, Mi’chelle Trammel, Josh Walker, Chris King, Austin and Adam Hussey, Brian T. Hill, and that Ben guy whose name I can’t spell right. I’m sure I’m forgetting some of you. You are all wonderful people, and I’d give you Shardblades if I could.

Whew. This is turning into an epic acknowledgments. But there are still a few more people that need notice. The writing of these words is happening right around the one year anniversary of me hiring the Inevitable Peter Ahlstrom as my personal assistant, editorial aid, and extra brain. If you go through previous acknowledgments pages, you’ll always find him there. He’s been a dear friend of mine, and an advocate of my work, for years. I’m lucky to now have him working for me full time. He got up at three a.m. today to get the last proofread of the book done. When you next see him at a convention, buy him a block of cheese.

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