Читаем The White Feather полностью

Things went badly for Seymour's. Never in the history of the house, or, at any rate, in the comparatively recent history of the house, had there been such a slump in athletic trophies. To begin with, they were soundly beaten in the semi-final for the House football cup by Allardyce's lot. With Drummond away, there was none to mark the captain of the School team at half, and Allardyce had raced through in a manner that must have compensated him to a certain extent for the poor time he had had in first fifteen matches. The game had ended in a Seymourite defeat by nineteen points to five.

Nor had the Boxing left the house in a better position. Linton fought pluckily in the Light-Weights, but went down before Stanning, after beating a representative of Templar's. Mill did not show up well in the Heavy-Weights, and was defeated in his first bout. Seymour's were reduced to telling themselves how different it all would have been if Drummond had been there.

Sheen watched the Light-Weight contests, and nearly danced with irritation. He felt that he could have eaten Stanning. The man was quick with his left, but he couldn't box. He hadn't a notion of side-stepping, and the upper-cut appeared to be entirely outside his range. He would like to see him tackle Francis.

Sheen thought bitterly of Drummond. Why on earth couldn't he have given him a chance. It was maddening.

The Fives carried on the story. Menzies was swamped by a Day's man. He might just as well have stayed away altogether. The star of Seymour's was very low on the horizon.

And then the house scored its one success. The headmaster announced it in the Hall after prayers in his dry, unemotional way.

"I have received the list of marks," he said, "from the examiners for the Gotford Scholarship." He paused. Sheen felt a sudden calm triumph flood over him. Somehow, intuitively, he knew that he had won. He waited without excitement for the next words.

"Out of a possible thousand marks, Sheen, who wins the scholarship, obtained seven hundred and one, Stanning six hundred and four, Wilson...."

Sheen walked out of the Hall in the unique position of a Gotford winner with only one friend to congratulate him. Jack Bruce was the one. The other six hundred and thirty-three members of the school made no demonstration.

There was a pleasant custom at Seymour's of applauding at tea any Seymourite who had won distinction, and so shed a reflected glory on the house. The head of the house would observe, "Well played, So-and-So!" and the rest of the house would express their emotion in the way that seemed best to them, to the subsequent exultation of the local crockery merchant, who had generally to supply at least a dozen fresh cups and plates to the house after one of these occasions. When it was for getting his first eleven or first fifteen cap that the lucky man was being cheered, the total of breakages sometimes ran into the twenties.

Rigby, good, easy man, was a little doubtful as to what course to pursue in the circumstances. Should he give the signal? After all, the fellow had won the Gotford. It was a score for the house, and they wanted all the scores they could get in these lean years. Perhaps, then, he had better.

"Well played, Sheen," said he.

There was a dead silence. A giggle from the fags' table showed that the comedy of the situation was not lost on the young mind.

The head of the house looked troubled. This was awfully awkward.

"Well played, Sheen," he said again.

"Don't mention it, Rigby," said the winner of the Gotford politely, looking up from his plate.

<p><strong>XVIII</strong> </p><p><strong>MR BEVAN MAKES A SUGGESTION</strong></p>

When one has been working hard with a single end in view, the arrival and departure of the supreme moment is apt to leave a feeling of emptiness, as if life had been drained of all its interest, and left nothing sufficiently exciting to make it worth doing. Horatius, as he followed his plough on a warm day over the corn land which his gratified country bestowed on him for his masterly handling of the traffic on the bridge, must sometimes have felt it was a little tame. The feeling is far more acute when one has been unexpectedly baulked in one's desire for action. Sheen, for the first few days after he received Drummond's brief note, felt that it was useless for him to try to do anything. The Fates were against him. In stories, as Mr Anstey has pointed out, the hero is never long without his chance of retrieving his reputation. A mad bull comes into the school grounds, and he alone (the hero, not the bull) is calm. Or there is a fire, and whose is that pale and gesticulating form at the upper window? The bully's, of course. And who is that climbing nimbly up the Virginia creeper? Why, the hero. Who else? Three hearty cheers for the plucky hero.

But in real life opportunities of distinguishing oneself are less frequent.

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«Где-то существует совершенно иной мир, и его язык именуется поэзией», — писал Артур Мейчен (1863–1947) в одном из последних эссе, словно формулируя свое творческое кредо, ибо все произведения этого английского писателя проникнуты неизбывной ностальгией по иной реальности, принципиально несовместимой с современной материалистической цивилизацией. Со всей очевидностью свидетельствуя о полярной противоположности этих двух миров, настоящий том, в который вошли никогда раньше не публиковавшиеся на русском языке (за исключением «Трех самозванцев») повести и романы, является логическим продолжением изданного ранее в коллекции «Гримуар» сборника избранных произведений писателя «Сад Аваллона». Сразу оговоримся, редакция ставила своей целью представить А. Мейчена прежде всего как писателя-адепта, с 1889 г. инициированного в Храм Исиды-Урании Герметического ордена Золотой Зари, этим обстоятельством и продиктованы особенности данного состава, в основу которого положен отнюдь не хронологический принцип. Всегда черпавший вдохновение в традиционных кельтских культах, валлийских апокрифических преданиях и средневековой христианской мистике, А. Мейчен в своем творчестве столь последовательно воплощал герметическую орденскую символику Золотой Зари, что многих современников это приводило в недоумение, а «широкая читательская аудитория», шокированная странными произведениями, в которых слишком явственно слышны отголоски мрачных друидических ритуалов и проникнутых гностическим духом доктрин, считала их автора «непристойно мятежным». Впрочем, А. Мейчен, чье творчество являлось, по существу, тайным восстанием против современного мира, и не скрывал, что «вечный поиск неизведанного, изначально присущая человеку страсть, уводящая в бесконечность» заставляет его чувствовать себя в обществе «благоразумных» обывателей изгоем, одиноким странником, который «поднимает глаза к небу, напрягает зрение и вглядывается через океаны в поисках счастливых легендарных островов, в поисках Аваллона, где никогда не заходит солнце».

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