Emiko shoves hard against him and ducks under his flailing knife. Behind her, she hears a grunt and thud as she bolts for the street. She doesn't look back. She plunges into the street, not caring that she shows herself as a windup, not caring that in running she will burn up and die. She runs, determined only to escape the demon behind her. She will burn, but she will not die passive like some pig led to slaughter.
She flies down the street, dodging pyramids of durian and hurdling over coiled hemp ropes. This suicidal flight is pointless, yet she will not stop. She shoves aside a
All around, the traffic of the street seems to have slowed to a crawl. Emiko weaves under the bamboo scaffolding of a construction site. Running is strangely easy. People move as if they're suspended in honey. Only she is moving. When she glances behind her, she sees that her pursuer has fallen far behind. He's astonishingly slow. Amazing that she even feared him. She laughs at the absurdity of this suspended world-
She slams into a laborer and goes sprawling, taking him down as well. The man shouts, "
Emiko forces herself up to her knees, hands numb with abrasions. She tries to stand but the world tilts, blurry. She collapses. Pushes upright again, drunken, overwhelmed by the furnace heat within her. The ground tilts and rotates, but she manages to stand. Leans against a sun-baked wall as the man she hit shouts at her. His rage washes over her, meaningless. Darkness and heat are closing in on her. She's burning up.
Out in the street, in the tangle of mulie carts and bicycles, she catches sight of a
Another flash of the face in the traffic. It's the
"Grab her! Don't let that heechy-keechy get away!"
Her attacker, shouting and waving his knife as he clambers through bamboo scaffolding. She's amazed that he's so slow, so much slower than she would have expected. She watches, puzzled. Perhaps he is also crippled from his time in the war? But no, his gait is correct, it's just that everything around her is slow: the people, the traffic. Odd. Surreal and slow.
The laborer seizes her. Emiko lets herself be dragged, scanning the traffic for another glimpse of the gaijin. Did she hallucinate?
There! The
He observes her with cold eyes, completely detached. She stumbles and grabs at the rickshaw to steady herself, knowing he will shove her back. She is nothing but a windup. She was a fool. She was stupid to hope that he would see her as a person, a woman, as anything other than offal.
Abruptly he grabs her hand and pulls her aboard. The
Her attacker leaps onto the rickshaw. He slashes her shoulder. Emiko watches as her blood sprays the seat. Jewel droplets suspended in sunlight. He raises the knife again. She tries to lift a hand to defend herself, to fight him off, but she's too tired. She's limp with exhaustion and heat. The man slashes again, screaming.
Emiko watches the knife descend, a movement as slow as honey poured in winter. So slow. So far away. Her flesh tears. Heat blur and exhaustion. She's fading. The knife descends again.
Suddenly the gaijin lunges between them. A spring gun gleams in his hand. Emiko watches, vaguely intrigued that the man carries a weapon, but the fight between the gaijin and the yaba addict is so very small and far away. So very very dark… Heat swallows her.
10
The windup girl does nothing to defend herself. She cries out, but barely flinches as the knife bites. "Bai!" Anderson shouts to Lao Gu. "Kuai kuai kuai!"