Apropos of that, let me share the 9/11 story that touched me most from the New York Times series “Portraits of Grief,” the little biographies of those who were killed. It was the story of Candace Lee Williams, the twenty-year-old business student at Northeastern University, who had worked from January to June of 2001 as a work-study intern at the Merrill Lynch office on the fourteenth floor of 1 World Trade Center. Both Candace's mother and colleagues described her to The New York Times as a young woman full of energy and ambition, who loved her internship. Indeed, Candace's colleagues at Merrill Lynch liked her so much they took her to dinner on her last day of work, sent her home in a limousine, and later wrote Northeastern to say, “Send us five more like Candace.” A few weeks after finishing midterm exams-she was on a June-December academic schedule-Candace Lee Williams decided to meet her roommate at her home in California. Candace had recently made the dean's list. “They'd rented a convertible preparing for the occasion, and Candace wanted her picture taken with that Hollywood sign,” her mother, Sherri, told the Times.
Unfortunately, Candace took the American Airlines Flight 11 that departed from Boston's Logan Airport on the morning of September 11, 2001, at 8:02 a.m. The plane was hijacked at 8:14 a.m. by five men, including Mohammed Atta, who was in seat 8D. With Atta at the controls, the Boeing 767-223ER was diverted to Manhattan and slammed Candace Lee Williams right back into the very same World Trade Center tower-between floors 94 and 98-where she had worked as an intern.
Airline records show that she was seated next to an eighty-year-old grandmother-two people at opposites ends of life: one full of memories, one full of dreams.
What does this story say to me? It says this: When Candace Lee Williams boarded Flight 11 she could not have imagined how it would end. But in the wake of 9/11, none of us can now board an airplane without imagining how it could end-that what happened to Candace Lee Williams could also happen to us. We all are now so much more conscious that a person's life can be wiped out by the arbitrary will of a madman in a cave in Afghanistan. But the fact is, the chances of our plane being hijacked by terrorists today are still infinitesimal. We are more likely to be killed hitting a deer with our car or being struck by lightning. So even though we can now imagine what could happen when we get on an airplane, we have to get on the plane anyway. Because the alternative to not getting on that plane is putting ourselves in our own cave. Imagination can't just be about reruns. It also has to be about writing our own new script. From what I read about Candace Lee Williams, she was an optimist. I'd bet anything she'd still be getting on planes today if she had the chance. And so must we all.
America's role in the world, from its inception, has been to be the country that looks forward, not back. One of the most dangerous things that has happened to America since 9/11, under the Bush administration, is that we have gone from exporting hope to exporting fear. We have gone from trying to coax the best out of the world to snarling at it way too often. And when you export fear, you end up importing everyone else's fears. Yes, we need people who can imagine the worst, because the worst did happen on 9/11 and it could happen again. But, as I said, there is a fine line between precaution and paranoia, and at times we have crossed it. Europeans and others often love to make fun of American optimism and naivete-our crazy notion that every problem has a solution, that tomorrow can be better than yesterday, that the future can always bury the past. But I have always believed that deep down the rest of the world envies that American optimism and naivete, it needs it. It is one of the things that help keep the world spinning on its axis. If we go dark as a society, if we stop being the world's “dream factory,” we will make the world not only a darker place but also a poorer place.
Analysts have always tended to measure a society by classical economic and social statistics: its deficit-to-GDP ratio, or its unemployment rate, or the rate of literacy among its adult women. Such statistics are important and revealing. But there is another statistic, much harder to measure, that I think is even more important and revealing: Does your society have more memories than dreams or more dreams than memories?