The Year's Best Science Fiction, Vol. 20

South Park and The Simpsons, if you consider them to be genre shows, are still around, but I no longer pay much attention to them. The more genre-specific Futurama is gone.

Taken was a big hit in the ratings, and covered very similar ground as Signs, but I don’t approve of shows that pander to and encourage the already too-prevalent UFO-abductee mania, and so I didn’t watch it. Dinotopia failed to find an audience, in spite of some very nice dinosaur effects. And The History Channel produced a very disappointing “history” of science fiction, one that ignored most of the real history of the form to concentrate instead on the history of sci-fi movies, and which left many hours of recorded interviews with actual SF writers on the cutting-room floor. (Let’s hope they do a better job with their other “historical” documentaries!)

Coming up next year, a new version of Mr. Ed, proving that the television execs are every bit as creative as the Hollywood moguls who brought us a remake of Lost in Space and who are in the process of bringing us a big-budget remake of Bewitched.

The 60th World Science Fiction Convention, ConJose, was held in San Jose, California, from August 30-September 3, 2002, and drew an estimated attendance of 5,500. The 2002 Hugo Awards, presented at ConJose, were: Best Novel, American Gods, by Neil Caiman; Best Novella, “Fast Times at Fairmont High,” by Vernor Vinge; Best Novelette, “Hell is the Absence of God,” by Ted Chiang; Best Short Story, “The Dog Said Bow-Wow,” by Michael Swanwick; Best Related Book, The Art of Chesley Bonestell, by Ron Miller and Frederick C. Durant III, with Melvin H. Schuetz; Best Professional Editor, Ellen Datlow; Best Professional Artist, Michael Whelan; Best Dramatic Presentation, The Lord of the Rings: The Fellowship of the Rings; Best Semiprozine, Locus, edited by Charles N. Brown; Best Fanzine, Ansible, edited by David Langford; Best Fan Writer, David Langford; Best Fan Artist, Teddy Harvia; plus the John W. Campbell Award for Best New Writer to Jo Walton; and the Cordwainer Smith Rediscovery Award to R. A. Lafferty.

The 2001 Nebula Awards, presented at a banquet at the Westin Crown Center in Kansas City, Missouri, on April 27, 2002, were: Best Novel, The Quantum Rose, by Catherine Asaro; Best Novella, “The Ultimate Earth,” by Jack Williamson; Best Novelette, “Louise’s Ghost,” by Kelly Link; Best Short Story, “The Cure for Everything,” by Severna Park; Best Script, Crouching Tiger, Hidden Dragon, by James Schamus, Kuo Jun Tsai, and Hui-Ling Wang; plus a special Lifetime Achievement Award to Betty Ballantine.

The World Fantasy Awards, presented at the Twenty-Eighth Annual World Fantasy Convention at the Hilton Towers in Minneapolis, Minnesota, on November 3, 2002, were: Best Novel, The Other Wind, by Ursula K. Le Guin; Best Novella, “The Bird Catcher,” by S. P. Somtow; Best Short Fiction, “Queen for a Day,” Albert E. Cowdrey; Best Collection, Skin Folk, by Nalo Hopkinson; Best Anthology, The Museum of Horrors, edited by Dennis Etchison; Best Artist, Allen Koszowski; Special Award (Professional), to Stephen Jones and Jo Fletcher (tie); Special Award (Non-Professional), to Raymond Russell and Rosalie Parker; plus the Life Achievement Award to George Scithers and Forrest J. Ackerman.

The 2002 Bram Stoker Awards, presented by the Horror Writers of America during a banquet in Chicago, Illinois, on June 8, 2002, were: Best Novel, American Gods, by Neil Caiman; Best First Novel, Deadliest of the Species, Michael Oliveri; Best Collection, The Man with the Barbed-Wire Fists, by Norman Partridge; Best Long Fiction, “In These Final Days of Sales,” by Steve Rasnic Tern; Best Short Story, “Reconstructing Amy,” Tim Lebbon; Nonfiction, Jobs in Hell, edited by Brian Keene; Best Anthology, Extremes 2: Fantasy and Horror from the Ends of the Earth, edited by Brian A. Hopkins; Best Screenplay, Memento, by Christopher Nolan and Jonathan Nolan; Best Work for Young Readers, The Willow Files 2, by Yvonne Navarro; Poetry Collection, Consumed, Reduced to Beautiful Gray Ashes, by Linda Addison; Best Alternative Forms, Dark Dreaming: Facing the Masters of Fear, by Beth Gwinn and Stanley Winter; plus the Lifetime Achievement Award to John Farris.

The 2001 John W. Campbell Memorial Award was won by Terraforming Earth, by Jack Williamson and The Chronoliths, by Robert Charles Wilson (tie).

The 2001 Theodore Sturgeon Award for Best Short Story was won by “The Chief Designer,” by Andy Duncan.

The 2001 Philip K. Dick Memorial Award went to Ship of Fools, by Richard Paul Russo.

The 2001 Arthur C. Clarke award was won by Bold as Love, by Gwyneth Jones.

The 2001 James Tiptree, Jr. Memorial Award was won by The Kappa Child, by Hiromi Goto.