The Year's Best Science Fiction, Vol. 20

As use of Internet Web sites to push sales of the physical product through subscriptions is becoming increasingly important, I’m going to list the URLs for those magazines that have Web sites: Asimov’s site is at www.asimovs.com. Analog’s site is at www.analogsf.com. The Magazine of Fantasy amp; Science Fiction’s site is at www.sfsite.com/fsf/. Interzone’s site is at www.sfsite.com/interzone/. Realms of Fantasy doesn’t have a Web site per se, although content from it can be found on www.scifi.now.com The amount of activity varies widely from site to site, but the important thing about all of the sites is that you can subscribe to the magazines there, electronically, online, with just a few clicks of some buttons, no stamps, no envelopes, and no trips to the post-office required. And you can subscribe from overseas just as easily as you can from the United States, something that was formerly difficult-to-impossible. Internet sites such as Peanut Press (www.peanutpress.com) and Fictionwise (www.fictionwise.com), which sell electronic downloadable versions of the magazines to be read on your PDA or home computer, are also becoming important.

At any rate, to get down to hard figures, Asimov’s Science Fiction registered a 1.7 loss in overall circulation in 2002, gaining 504 in subscriptions, but losing 1,078 in newsstand sales. Analog Science Fiction amp; Fact registered a 2.4% loss in overall circulation in 2002, gaining 490 in newsstand sales but losing 1,504 in subscriptions. The Magazine of Fantasy amp; Science Fiction registered a 10.1% loss in overall circulation, gaining 374 in newsstand sales, but losing 3,038 in subscriptions. Interzone held steady at a circulation of about 4,000 copies, as it has for several years, more or less evenly split between subscriptions and newsstand sales. No circulation figures for Realms of Fantasy were available.

The lively little Scottish SF magazine Spectrum SF has published so much good professional-quality work over the last three years, including good stories this year by Colin P. Davies, Eric Brown, Chris Lawson, Adam Roberts, and the serialization of Charles Stress’s novel The Atrocity Archive, that I’m listing it here with the professional magazines, rather than in the semiprozine section, where its circulation by rights ought to put it. Unfortunately, not all is well at Spectrum SF; they managed to produce only two out of a scheduled four issues this year, and in the most recent issue, editor Paul Fraser announced that in the future, due to financial difficulties and constraints on his time, Spectrum SF is going to be an “occasional” magazine, cut-back from its quarterly schedule to appearing perhaps a couple of times a year. I’m not sure how much practical difference this really makes, since the magazine never came remotely close to keeping its schedule anyway, but it would be a shame if Fraser became even more discouraged and threw in the towel altogether. So everyone, write lots of encouraging letters to Paul, with even more encouraging subscription money folded inside, because science fiction needs as many markets of this caliber as it can get; this little magazine publishes a disproportionate share of the year’s good fiction every year, and it would be a shame to lose it.

A new British magazine started up this year, 3SF, edited by Liz Holliday, the former editor of Odyssey magazine, which died several years back. The first issue was released in 2002. It’s a nice-looking magazine, with a range of interviews, book reviews, media reviews, and interesting articles on such offbeat topics as alternate history and the fate of English political refugees in eleventh-century Russia. The weakest part of the magazine to date, in fact, is the fiction-issue one features solid talents such as Richard Parks, Jay Lake, and Lawrence Watt-Evans, but nothing here rises much above average-competent, certainly nowhere near the level of the first-rate stuff that has been appearing in Spectrum SF. Let’s hope they can bring the quality of the fiction up in subsequent issues; certainly they have some very talented writers announced as appearing in upcoming issues: a good sign. We should all wish them well, as the field really does need as many viable short-fiction markets as it can get.