Often it was just me, Stanley Baxter and Bernie Stringle together in the studio. It was difficult doing lip sync for a chimp, because the mouth of a chimp doesn’t move in the same way as a human mouth. They had somehow made the chimps’ mouths go up and down, open and close, open and close, and we had to synchronise our voices to that. So, we had to make sure that the words opened and closed, exactly in time with their mouths. Normally, how it works — and this is the same for doing lip sync for a chimp, or dubbing a foreign language film — is that they run the bit of film which you are to voice, and something called a ‘wipe’ goes across the screen. It’s like a finger, and when this finger hits a certain point, in the middle of the screen, that’s your cue to start to say your lines. But Bernie didn’t depend on that: the moment you had to start to speak, he used to touch you on the shoulder. He told me once how an anxious actor had worried about getting the sync right. Bernie had said, ‘Don’t worry, I’ll give you a tap on your shoulder when you need to start.’ The moment came, Bernie tapped his shoulder — and the actor fainted dead away.
We also had the beeps: three beeps —
It was great fun and the adverts were extremely popular — probably
As well as regions and class, I can do sexy. Although I don’t have a sexy voice normally, I can imbue it — to me, a sexy voice is an exhausted voice, of somebody who’s had so many orgasms they’ve hardly got the strength to speak. So, I would breathe through my lines and I got known for being sexy. Although, of course, as a person, sex is not the thing I project. I project energy. I don’t project cunt, but exhausted cunt I can offer, vocally, when required.
That’s how I got the job to do the Manikin cigar advert, which was a
Terence had branched out into film direction and television commercials in the seventies, and I was the voice for the beautiful, sexy girl with a sublime body, played by Carole Augustine, a young British model and actress (who had made a brief appearance in
I did a whole string of these ads, several with Carole — presumably all the different films shot on that one same trip to Antigua — with the lines: ‘
For the next campaign, there was a new stunning beauty in her place, but I still voiced the ads in the same sultry tones: