Increasingly convinced that rivals were plotting against him, Nero had any potential critics executed, including, in AD 62–3, Marcus Antonius Pallas, Rubellius Plautus and Faustus Sulla. Then, in AD 65, a conspiracy led by Gaius Calpurnius Piso to oust the emperor and restore the republic was uncovered. Nearly half of the forty-one accused were either executed or forced to commit suicide, Seneca among them. Taking himself increasingly seriously as an actor and neglecting his duties as the Roman economy faltered and disorder spread, Nero began to sing and act on the public stage, spending more time in the theater than running the empire. He also fancied himself as a sportsman, even taking part in the Olympic Games of AD 67—ostensibly to improve relations with Greece, but more likely to milk the obsequious praise that invariably greeted his efforts. He won various awards—mostly secured in advance by hefty bribes from the imperial exchequer.
By AD 68, elements within the army—which the dilettante emperor had largely ignored—decided that things could not continue. The governor of one of the provinces in Gaul rebelled and persuaded a fellow governor, Galba, to join him. Galba emerged as a popular focus for opposition to Nero and, crucially, the Praetorian Guard now declared their support for him. Faced with the desertion of the army, Nero was forced to flee Rome and went into hiding; a short time later, he committed suicide with the words “What an artist the world is losing in me.” His legacy was one of unrest across the empire, as Rome suffered the Year of the Four Emperors, during which civil war broke out between competing claimants to the throne. Hostilities ended only with the emergence of Vespasian and the founding of the Flavian dynasty.
MARCUS AURELIUS
121–180
Marcus Aurelius,
Marcus Aurelius was the philosopher-king of the Roman empire, who exemplified the qualities he praised in his philosophical writings in a reign marked by principled and reforming rule over a vast and turbulent domain. He had an unselfish and pragmatic approach to governing his empire and did not shirk from sharing supreme power for the greater political good. His major written work, the
Marcus Aurelius, born Marcus Annius Verus in AD 121, came from a family well acquainted with high office. His paternal grandfather was a consul and the prefect of Rome. An aunt was married to Titus Aurelius Antoninus, who would later become the emperor Antoninus Pius. And his maternal grandmother stood to inherit one of the largest fortunes in the Roman empire. He also came from liberal stock: the emperors of the 1st and 2nd centuries were more sober, munificent and inclined toward good deeds than the flamboyant urban emperors of the previous, Julio-Claudian dynasty founded by Augustus.
Marcus was handpicked for great things. In AD 138 the emperor Hadrian had arranged for Marcus to be adopted by his appointed heir, Antoninus, which marked out the seventeen-year-old as a future joint emperor, along with another young man, who would become the emperor Lucius Verus.
Marcus received his education in Greek and Latin from the best tutors, including Herodes Atticus and Fronto, one of the principal popular literary figures of the day. But practice in rhetoric and linguistic exercises did not fully satisfy such a bright young man, and he keenly embraced the
When his adoptive father died in AD 161, Marcus was already prepared to take over the imperial duties. But in accordance with his sense of honor and political intelligence, he insisted that Lucius Verus be made joint emperor with him. Although Marcus could easily have eliminated his rival, he realized that with such a diverse empire to govern it made sense to have a partner with the political authority to rule when required but without the seniority to be a threat to stable government. It was Marcus who carried out the serious work of government.