Elster J.
(1999). Alchemies of the mind: rationality and the emotions. Cambridge: Cambridge University Press.Emotion and the arts / H. Mette and S. Laver (eds.). Oxford: Clarendon Press, 1997.
Evans D.
(2001). Emotion: the science of sentiment. Oxford: Oxford University Press.Faking it: the sentimentalisation of modern society / D. Anderson and P. Mullen (eds). London: Penguin, 1998.
Feagin S. L.
(1983). The pleasures of tragedy // American Philosophical Quarterly. № 95. P. 104.Fisher Ph.
(2002). The vehement passions. Princeton: Princeton University Press.Foley M.
(2010). The age of absurdity: why modern life makes it hard to be happy. London: Simon h Schuster.Frey W. H.
(1985). Crying: the mystery of tears. Minneapolis: Winston Press.Frijda N. H.
(1986). The emotions. New York: Cambridge University Press.Gandhi M. K.
(1909, 1997). Hind swaraj and other writings / Ed. A. J. Parel. Cambridge: Cambridge University Press.Gilbert D.
(2006). Stumbling on happiness. London: Harper Collins.Goldie P.
(2000). The emotions: a philosophical exploration. Oxford: Clarendon Press.Graham C.
(2009). Happiness around the world: the paradox of happy peasants and miserable millionaires. Oxford: Oxford University Press.Grodal T.
(1997). Moving pictures: a new theory of film genres, feelings and cognition. New York: Oxford University Press.Haidt J.
(2007). The happiness hypothesis: putting ancient wisdom and philosophy to the test of modem science. London: Heinemann.Home is where the heart is: studies in melodrama and the woman’s film / Ch. Gledhill (ed.). London: BFI Books, 1987.
Inden R. B.
(1999). Transnational class, erotic arcadia and commercial utopia in Hindi films // Image journeys: audio-visual media and cultural change in India / Ch. Brosius and M. Butcher (eds.). New Delhi: Sage Publications, 1999. P 41–66.Keen S.
(2007). Empathy and the novel. New York: Oxford University Press.Kuhn A.
(2002). An everyday magic: cinema and cultural memory. London: I. B. Tauris.Layard R.
(2005). Happiness: lessons from a new science. London: Penguin.Levinson J.
(1982). Music and negative emotions // Pacific Philosophical Quarterly. № 63. P. 327–346.Lutz C. A.
(1988). Unnatural emotions: everyday sentiments on a Micronesian atoll and their challenge to western theory. Chicago: University of Chicago Press.Lutz T.
(2001). Crying: A natural and cultural history of tears. New York: W. W. Norton.Mayne J.
(1993). Cinema and spectatorship. London: Routledge.McMahon D.
(2007). The pursuit of happiness: A history from the Greeks to the present. London: Penguin.Moldoveanu M. C. and Nohria N.
(2002). Master passions: emotion, narrative and the development of culture. Cambridge, Mass.: MIT Press.Mukherjee M.
(1985). Realism and reality: the novel and society in India Delhi: Oxford University Press.Mulvey L.
(1977/8). Notes on Sirk and melodrama // Movie. Winter. P. 53–56.Nandy A.
(1988). The intimate enemy: loss and recovery of self under colonialism. Delhi: Oxford University Press [1983].Nandy A.
(2000). Invitation to an antique death: the journey of Pramathesh Barua as the origin of the terribly effeminate, maudlin, self-destructive heroes of Indian cinema // Pleasure and the nation: the history, politics and consumption of public culture in India / R. Dwyer and Ch. Pinney (eds.). Delhi: Oxford University Press. P. 139–160.Narayan B.
(2001). Documenting dissent: contesting fables, contested memories and Dalit political discourse. Shimla: Institute of Advanced Study.Neale S.
(1986). Melodrama and tears// Screen. № 27 (6). P. 6–22.Neil A.
(1996). Empathy and (film) fiction // Post-theory: reconstructing film studies / D. Bordwell and N. Carroll (eds.). Wisconsin: University of Wisconsin Press. P. 175–194.Ngai S.
(2005). Ugly feelings. Cambridge, Mass.: Harvard University Press.Oakley J.
(1992). Morality and the emotions. London: Routledge.Oatley K.
(6 Johnson-Laird P. N. (1987). Towards a cognitive theory of emotions // Cognition a Emotion. № 1. P 29–50.Oatley K. and Jenkins J. M.
(1996). Understanding emotions. Oxford: Black-well Publishers.Parrott W.
(2001). Emotions in Social Psychology. Philadelphia: Psychology Press.Pinney Ch.
(1997). Camera indica: the social life of Indian photographs. London: Reaktion Books.Prasad M. M.
(1998). Ideology of the Hindi film: a historical construction. Delhi: Oxford University Press.Rajadhyaksha A.
(2000). Viewership and democracy in the cinema // Making meaning in Indian cinema / R. Vasudevan (ed.). Delhi: Oxford University Press. P. 267–296.