Triggers

Security at LAX was the most stringent Darryl had ever seen—after all, it had only been eleven days since an al-Sajada operative had been arrested in a parking lot here with one of those hexagonal bombs in his trunk. Still, as a Secret Service agent, Darryl could see dozens of holes in the procedures.

Once they got out of the secure area, they were greeted by a uniformed limousine driver holding a sign that said “Hudkins”—which was a first for Darryl, who was much more used to running alongside limos than riding in them.

Bessie and Darryl sat in the back, separated from the driver by a pane of smoked glass. Darryl suspected Bessie was thinking that in the good old days, it would have been the black man driving the white man, not the other way around. And speaking of the other way around, why did it have to be him reading her—or why couldn’t Obama have still been in office, if she were destined to read the president’s memories?

The limo took them through the Los Angeles traffic all the way out to Burbank. It had been years since Darryl had visited L.A., and he’d forgotten how horrible the congestion was, but Bessie was thrilled to catch a glimpse of the Hollywood sign high above the city. When they arrived at their destination, they had to go through more security—this with even more holes—handing photo ID through the car window to the gate guard. Darryl was stunned at how time-consuming and inefficient the process of getting in here was; he thought of five easy ways he could have gotten past the guards.

He’d never been on a studio lot before, and he hadn’t known much about corporate mergers, but apparently Disney owned ABC Studios, and so, in addition to traditional Disney fare, lots of sitcoms and adult dramas were produced here. The soundstages were giant cubical buildings the color of cheese with huge billboards for ABC or Disney programming on their sides—who knew that Chadwick’s Place was still in production?

The driver hopped out of the car and held the rear door open for Bessie. Darryl got out from his side, and a brown-haired white woman in her mid-twenties came driving up to them in a golf cart; the driver had called her to let her know they’d arrived.

“Hello,” the woman said. “I’m Megan; I’m the assistant to Jessika Borsiczky. Won’t you come with me?” She drove them down a series of paved paths between buildings and past some giant trucks until they came to the entrance to one of the stages. A sign on the door said, “Do Not Enter When Red Light Is Flashing.” But it wasn’t—and so they did.

They walked along a narrow space between the wall of the stage and the plywood backs of whatever set was on the other side. Giant black cables ran along the floor, and they occasionally had to squeeze against the wall to let people pass in the other direction; it was a long, arduous journey for Bessie. Finally, they came to the end of the plywood, and Megan turned. Craft-services tables—Darryl was pleased with himself for knowing that term—were spread out in front of them, covered with coffee urns, plates of sandwiches and pastries, and wicker bowls full of packaged snacks. A couple of people were standing by the table, chatting softly. They walked on, and came to more plywood, but this wall was curved…

They continued around to the other side, and there it was:

The Oval Office.

Granted, it was a reconstruction, but except for the fact that it had an overhead grid of lights instead of a ceiling, it was perfect. And, Darryl supposed, it pretty much had to be: over the years, most Americans had seen countless pictures of the real Oval Office and had a good sense of what it had looked like before it had been destroyed. The Secret Service agent in him thought it ridiculous that the room the president had spent most of his waking hours in had been so publicly documented: its location, its exact dimensions, its every nook and cranny. But it had been, and this was a near-perfect duplicate. He wasn’t surprised, though; lots of people in Washington loved Inside the Beltway, calling it the most accurate White House drama since The West Wing.

A smile broke out on Darryl’s face. Here he was thinking about the set, when right there in front of him, sitting behind a flawless reproduction of the Resolute desk, was Courtney B. Vance, who starred as President Maxwell Doncaster. Vance was one of Darryl’s favorite actors; Darryl had been thrilled when he’d won an NAACP Image Award earlier this year. He was looking off in the distance, apparently waiting for something.

“They’ll be breaking for lunch in just a minute,” Megan said.

“Can we do one more, Courtney?” asked a woman’s voice; from this angle, Darryl couldn’t see the speaker.